What should a writer do if asked to leave written material with a producer or studio after a pitch? The answer is simple: Don’t do it.| www.wga.org
During the 2021 ScreenCraft Writers Summit, WeScreenplay hosted a panel to ask writers and showrunners about writing with “voice.” Sarah J. Eagen (TV writer and WeScreenplay Brand Manager) moderated a group that included Liz Feldman (creator and executive producer of...| WeScreenplay
On a whim, I decided to sign up for the pitches at the ScreenCraft Writers Summit. It was something I hadn’t formally tried, and this was an opportunity. I’m pretty comfortable pitching one-on-one, and I’m usually the one to kick off informal...| WeScreenplay
Thinking about joining a writing workshop, but not sure where to start? Whether you’re trying to improve your writing or make connections with other writers, a writing workshop might be more valuable than you anticipated! Here are a few reasons...| WeScreenplay
A writer’s portfolio is a collection of samples that feature their best work. It’s what agents and managers will use to decide whether they want to represent you and it’s what they’ll use to pitch you to showrunners and producers....| WeScreenplay
You wrote an amazing script, you won a prestigious contest, and now you’ve got agents, managers, and producers ready to listen to you. Suddenly, you have to do the exact opposite thing that you’ve been doing while writing alone in...| WeScreenplay
Need to craft a series bible for your TV pilot? Let's go over the general format, important elements, and some examples to get you started.| WeScreenplay
During the Golden Age of cinema, way before the advent of digital technology, the internet, and the cloud, scripts were stored in massive studio vaults. Stacks upon stacks of scripts. In order to differentiate these scripts, the studio executive would...| WeScreenplay
Learn the ten most desirable things script readers want from your spec script.| WeScreenplay