In this article, we talk about the the super objective: how to discover it, and how to fight for it with everything your character's got.| StageMilk
In this article, we explore character relationships, how to map wants and needs according to the script and how this can improve your acting.| StageMilk
Status is often ignored in acting work. Being able to effectively integrate this concept into your acting process is very powerful.| StageMilk
There’s no two ways around it. Shakespeare is hard. But the challenge that accessing Shakespeare poses is not an excuse to not try!| StageMilk
The Moment Before is a powerful tool for actors to create context in their acting. In this article, we explore this concept with examples.| StageMilk
Another confusing acting term: debunked! What are beats? How can you use them? Let's get stuck into the intricacies of 'beats'!| StageMilk
In this article, we examine what is subtext in acting, and how an actor can use subtext to enrich their character and performance.| StageMilk
At any stage of your acting career the process of plotting and playing actions is invaluable to your performance.| StageMilk
One of the fundamental acting techniques is to understand given circumstances. Uta Hagen best describes this concept, but what are given circumstances?| StageMilk
The objective is one of the most important pieces of information you will ever learn about a character you play. Take a look at the following tactics for finding your character's objective...| StageMilk