A Doll’s House | The New Yorker
Laurie Simmons’s sense of scale.| The New Yorker
The artist discusses his most recent work, how the art world resembles a cult, and what it’s like having a famous child.| The New Yorker
Catching up on the series all at once, I kept thinking that its greatest artistic success was responsible for its biggest critical handicap.| The New Yorker
