Gordon Stoker a member of The Jordanaires, shares his memories of when they first met Elvis and recording in the studio with him. | Elvis Presley| www.elvis.com.au
Elvis Presley was singing That's All Right and Blue Moon Of Kentucky. The sound went straight up your spine. | Elvis Presley| www.elvis.com.au
The Jordanaires, voices behind Elvis, still singing | Elvis Presley| www.elvis.com.au
The first time I met Elvis, I told him my mother had predicted he'd be a big star. He just laughed shyly. In those days, he truly had no idea of how big he would become. Few know this, but there were actually two Elvises inside the one. As we traveled the road with him, we came to see both sides. He could be very, very shy, the sensitive momma's boy, and he could be as wild as a joker in a game of spit in the ocean. | Elvis Presley| www.elvis.com.au
Steve Sholes was one of the most influential producers in postwar music; he was responsible not only for the birth of the Nashville Sound, but also for signing Chet Atkins and Elvis Presley to RCA. Sholes was born in Washington, D.C. in 1911, but his family moved to New Jersey in the 1920s, and it was while attending high school in 1929 that he first took a part-time job in sales with RCA-Victor Records. After college, in 1935 he returned to RCA, joining the jazz artists & repertory departmen...| www.elvis.com.au
Dolly Parton knocked back advances from Elvis Presley's people to record one of her most famous songs, I Will Always Love You. | Elvis Presley| www.elvis.com.au
This is an interview I conducted with the great recording engineer Bill Porter back in 1987. We chatted and listened to some of his recordings. In one week of 1960, Bill Porter-engineered recordings accounted for 15 of Billboard's Top 100 Singles. You could chalk it up to his having folks like Elvis Presley, Roy Orbison, Chet Atkins and the Everly Brothers to record, but then you'd have to explain why, with Porter out of the picture, so many of their careers took a nose-dive. The fact is, the...| www.elvis.com.au
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On March 28th, 1998, Scotty and D.J. Fontana performed at an Elvis convention here in Europe. That same evening, I interviewed them both in Scotty's hotelroom. Actually, it wasn't easy to find good questions, as Scotty's That's All Right Elvis and Peter Guralnick's Last Train To Memphis describe the early years in wonderful detail. Nevertheless, the interviews were quite interesting in many ways. Especially Scotty is very straightforward and outspoken, and his viewpoints shed a new light on v...| www.elvis.com.au