Short video essay that looks at how white science fiction filmmakers fill the backgrounds of their futuristic worlds with hollow Asian figures—in the form of video and holographic advertisements—wh…| Astria Suparak
Series of projects, presentations, and texts on how white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people. A visual analysis of 60 years of American scienc…| Astria Suparak
“A collage of Caucasian actors in roles as emotionally complex robots, AIs and cyborgs. [The installation] questions who is granted the privilege of humanity and emotional depth in these tech…| Astria Suparak
“This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the 20th century to the present day.”| Astria Suparak
“This issue of V ART records Thai-American artist Astria Suparak’s long-term research project ‘Asian futures, without Asians.’ She uses precise language like a scalpel cutting thr…| Astria Suparak
“Suparak’s media archaeology disrupts these racialized imaginaries of AI and identifies openings for building future imaginaries otherwise.”| Astria Suparak
An amalgamated skyline of Asian futures imagined by white filmmakers. Sourced from primarily 21st century sci-fi movies and television shows, including an early example of techno-orientalism from t…| Astria Suparak
This live cinema work, presented as a taxonomy of tropes, is illustrated with images and clips from futuristic movies and television shows. Accompanied by a live musical soundtrack, Suparak deliver…| Astria Suparak
A set of backdrops containing concepts central to present-day sci-fi and fantasy, highlighting a sliver of the brilliance and beauty of Asian imagination and artistry across six centuries.| Astria Suparak
“Suparak and the writer and artist Dorothy R. Santos discuss Suparak’s ongoing scholarship, which, in addition to researching historical Asian artifacts that presage contemporary concepts of …| Astria Suparak
A short video essay that takes one of the world-building tics of white science fiction — gratuitous signage in Asian languages — to consider its utopian potential and dystopian applications.| Astria Suparak