As a forensic musicologist, I’m asked about AI, of course. “How do artificial intelligence-based tools affect my process?” and “What do I think about training models on copyrighted musical works?” To the first question, yes, I’m using AI more and more, certainly not for assessing substantial similarity, but cool stuff like stem separation, for example ... The post Is AI Learning or Infringing? Thomson Reuters v. Ross Through a Musicologist’s Lens appeared first on Forensic Music...| Forensic Musicologist Services
But The Plaintiff’s Musicological Argument Still Falls Flat. Music copyright stuff happened yesterday, a little bit. As reported by Rolling Stone and Billboard this morning, the Miley Cyrus’s Flowers vs. Bruno Mars’ When I Was Your Man case can’t stop, won’t stop—following an interesting attempt at dismissal that stood no reasonable chance. Flowers, of course, ...| Forensic Musicologist Services
I was reading an academic paper the other day, and it began: You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art. – Bill Viola And I’m like, “No, you aren’t. Sure, for certain kinds of judgments, but not any judgment. ...| Forensic Musicologist Services
Whatever the record is for our quickest “let’s get to the bottom of this” analysis I intend to break it here. I’ll start with the conclusion. This song (“Dare To Know”) from a record that I didn’t know existed (“Reunion”) by the band (“YES”) I listened to constantly as a youngster, but not much since, ... The post Steve Howe and Yes sued for infringement. appeared first on Forensic Musicologist Services.| Forensic Musicologist Services
Last week, Plies sued Megan Thee, GloRilla, Cardi, and Soulja Boy for copyright infringement. The complaint is here, if you’d like to read it. Plies’s twisty claim seems to be that Soulja Boy’s “Pretty Boy Swag” (2010) infringes on Plies’s “Me & My Goons” (2008), and then Megan Thee Stallion, GloRilla, and Cardi B’s “Wanna ...| Forensic Musicologist Services
This could get interesting. In fact, I think it might be the first of its kind. Give me a little rope. In a recently filed lawsuit, the estate of Barry White claims that “Everlasting Bass,” released in 1986, infringes Barry White’s 1973 song “I’m Gonna Love You Just a Little More Baby.” Awwww yeeah, Baby. ...| Forensic Musicologist Services
Most of the time, these things have no teeth. Trump is divisive and mostly offensive to Rock and Pop stars, so when he uses their music, they don’t like it. There’s usually nothing to be done about it in response. Sometimes there is. This time there definitely is, because this one is different. Campaign rallies ...| Forensic Musicologist Services
Musicologize.com Terms and Conditions Introduction 1.1 This disclaimer shall govern your use of our website. 1.2 By using our website, you accept this disclaimer in full; accordingly, if you disagree with this disclaimer or any part of this disclaimer, you must not use our website. Credit 2.1 This document is an SEQ Legal document from ...| Forensic Musicologist Services
Whatever the record is for our quickest “let’s get to the bottom of this” analysis I intend to break it here. I’ll start with the conclusion. This song (“Dare To Know”) from a record that I didn’t know existed (“Reunion”) by the band (“YES”) I listened to constantly as a youngster, but not much since, ...| Forensic Musicologist Services
Schedule a free introductory call. ORIGINALITY & SIMILARITY ANALYSIS Musicologize’s Brian McBrearty provides preemptive musicological services to avoid the risk of potential infringement and plagiarism claims. Preventative musicology services include: Comparison and analysis, most often of client work and well-known preexisting works. Determination of whether observable similarities between two works might be concerning and potentially ...| Forensic Musicologist Services
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Forensic Musicology services by Musicologize and coverage of most interesting Music Copyright cases in the news.| Forensic Musicologist Services
I’ve only got a few minutes for this rush to judgment. Three should be plenty. Start the clock. I used to love lame-ass jazz funk-pop. A track like Shakatak’s “Easier Said Than Done” would’ve been in heavy rotation on my car stereo with the Jensens in the back, Blaupunkts in the doors, zillion-band equalizer. I ...| Forensic Musicologist Services