Once every four or five years, I find a book that is a genuine life-changer. Impro by Keith Johnstone joins my extremely short list of such books. The book crossed my radar after two readers mentioned it, in reactions to the Gervais Principle series Impro is ostensibly a book about improvisation and the theater. Depending on where you are coming from, it might be no more than that, or it might be a near-religious experience.| ribbonfarm
In the first two parts of this series, we talked about the archetypes that inhabit organizations (Sociopaths, Losers, Clueless), what they do (the Gervais Principle) and how (the four languages). In this part, we’ll use a somewhat unorthodox take on the idea of arrested development to explain why the three groups behave as they do, and use that to predict the outcomes of individual interpersonal interactions.| ribbonfarm
We began this analysis of corporate life by exploring a theoretical construct (the Gervais Principle) through the character arcs of Michael and Ryan in The Office. The construct and examples provide a broad-strokes treatment of the why of the power dynamics among Sociopaths, the Clueless and Losers.| ribbonfarm
Each of them – and they constitute 80% of humanity – is born the most beautiful baby in the world. Each is an above-average child; in fact the entire 80% is in the top 20% of human beings (it’s crowded up there). Each grows up knowing that he or she is deeply special in some way, and destined for a unique life that he or she is “meant” to live.| ribbonfarm
My neighbor introduced me to The Office back in 2005. Since then, I’ve watched every episode of both the British and American versions. I’ve watched the show obsessively because I’ve been unable to figure out what makes it so devastatingly effective, and elevates it so far above the likes of Dilbert and Office Space.| ribbonfarm
At the heart of all tragedy, the Greeks saw a phenomenon they called hamartia: a fatal error born of unavoidable ignorance. Combined with a fundamental moral flaw, hamartia inevitably led on to destruction. For the Greeks, humans were cursed not just with mortality of the flesh, but also hamartia-driven mortality of the spirit. Hamartia was the Gods being Divine Jerks, randomly toying with human lives for their own pleasure, through cat-and-mouse games the latter could not hope to win.| ribbonfarm
And so here we are, ready for an assault on our Everest: the mind that lies behind the low-reactor Sociopath face. A face that gazes upon the worlds of Losers and the Clueless with divine inscrutability. It’s certainly been a long climb.| ribbonfarm