In this article, we talk about the the super objective: how to discover it, and how to fight for it with everything your character's got.| StageMilk
In this article, we outline tactics for dealing with impostor syndrome for actors: be it in an audition, during rehearsals or on the job.| StageMilk
In this article, we will examine how to expand your range as an actor, and open you up to new and exciting opportunities in your career.| StageMilk
'There are no small parts, only small actors’. Here are some considerations and techniques for appraoching and playing a small role.| StageMilk
If you ever had a tiny role in a high school play and dared to complain about your meagre number of lines, I suspect there was someone present who smugly put you in your place by quoting Konstantin Stanislavski’s line, “There are no small parts, only small actors.” Though those famous words belong to the […]| StageMilk
In this article, we look at some techniques to stop being stiff as an actor: concrete steps you can take to relax and loosen up.| StageMilk
In this article, we examine ways in which to raise the stakes in your acting, adding a greater sense of drama and urgency to any scene.| StageMilk
At any stage of your acting career the process of plotting and playing actions is invaluable to your performance.| StageMilk
Script analysis is a process by which actors interrogate a script. We are going to talk through several important tools for script analysis.| StageMilk