Mohammad Tariq intervenes in found imagery to reveal colonial complicity| 1854 Photography
In 2016, a chance meeting with a young Iranian couple led Youness Miloudi to make his first visit to Tehran. The encounter had, evidently, made a big impression. “To be honest, I didn’t know much about the country, especially about the daily life of Iranians,” he says.| 1854 Photography
Zak Waters traces the quiet decline of this fiercely passionate subculture — from its soaring past to its precarious present — capturing a vanishing way of life| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
“Tish believed that photography was an important form of visual communication that could stimulate discussions about real life situations and captured accurate records of the world we live in. She was trying to force people to look at the truth and learn from it,” explains Ella Murtha, the daughter of the documentary photographer. In honour of her mother’s memory, Ella has put together a new photobook, Youth Unemployment, which gathers Tish Murtha’s work photographing poverty-ridden c...| 1854 Photography
“It was also about reshaping that American icon: everyone thinks of the cowboy as this white American hero who has come to slay Native Americans. Actually the word cowboy is a racist term. It comes from when slave masters called all their slaves ‘boys’ and so the cow boy was the boy who looked after the cows and the horse boy was the boy who looked after the horses.” Cian Oba-Smith journeys to Philadelphia at a politically charged time during the 2016 U.S. election to meet with an inf...| 1854 Photography
Harry Lawson reimagines the classic Western ‘frontier’ against a North East English backdrop| 1854 Photography
1854 Media is a multi-award-winning digital media organisation with| 1854 Photography
Permit to See: A disposable camera raffle raising funds for Gaza| 1854 Photography
This conception of the NPG may still be widespread in the public mind, as even Martin Parr thought his work would be an ill-fit for a contemporary exhibition along these lines. “I never thought of myself as a portrait photographer,” he says, “and when I first met Phillip Prodger [NPG’s former head of photographs], I told him I had only a few celebrity portraits. I just put a lightbox together and sent them to him, though I was quite surprised at what I had.” Prodger, however, had ot...| 1854 Photography
A new museum in Rotterdam explores a century of global diaspora through photography in The Family of Migrants| 1854 Photography
Sophie Green’s romantic vision of a lived Britain| 1854 Photography
Fotografia Europea is a northern Italian festival showcasing societal shifts via photography, with series hosted in an array of exquisite religious and secular edifices in Reggio Emilia| 1854 Photography
Making use of the Palestine Museum’s large digitised collection, Rachel Dedman curates photographic context to visual heritage not “limited to colonial collections”| 1854 Photography
