This is the sixth in a series of posts on emulating the main Sega Genesis sound chip, the YM2612. Part 1 - Interface Part 2 - Phase Part 3 - Envelopes Part 4 - Digital Output Part 5 - Analog Output This post will cover the hardware timers, the LFO (low frequency oscillator), and synthesized effects powered by the LFO.| jsgroth's blog
This is the fifth in a series of posts on emulating the main Sega Genesis sound chip, the YM2612. Part 1 - Interface Part 2 - Phase Part 3 - Envelopes Part 4 - Digital Output This post will cover a few aspects of the YM2612’s audio hardware, particularly the DAC (digital-to-analog converter), that are not strictly related to sample generation but do noticeably affect the sound of the final output.| jsgroth's blog
This is the fourth in a series of posts on emulating the main Sega Genesis sound chip, the YM2612. Part 1 - Interface Part 2 - Phase Part 3 - Envelopes This post will describe how the chip computes operator and channel outputs given the phase generator and envelope generator outputs.| jsgroth's blog
This is the third in a series of posts on emulating the main Sega Genesis sound chip, the YM2612. Part 1 - Interface Part 2 - Phase This post will describe how the ADSR envelope generators work. ADSR Each of the YM2612’s 24 operators has its own ADSR envelope generator that automatically adjusts the operator’s volume over time.| jsgroth.dev
This is the second in a series of posts on emulating the main Sega Genesis sound chip, the YM2612. Part 1 - Interface This post will describe the FM synthesis channels’ phase generators. Phase Generation Each of the YM2612’s 24 operators contains a phase generator and an ADSR envelope generator.| jsgroth's blog
This is the first post in a series on emulating the main Sega Genesis sound chip, the Yamaha YM2612 FM synthesis chip, also known as the OPN2. To date, the YM2612 is pretty easily the most difficult-to-emulate sound chip that I have worked on.| jsgroth.dev