With his chronicle of the communities struck by government incompetence, the photographer tells BJP that "it’s important to look at history”| 1854 Photography
Chris Killip: ‘Askam-in-Furness’ 1982 at Cooke’s Studios, Barrow-in-Furness, Cumbria, will include almost 80 previously unseen prints and two letters from Killip to members of the community| 1854 Photography
In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes| 1854 Photography
Tangerine Dreams is an honest look at the many lives across the British isles and the different communities who call it home – the same communities affected by the current hostile environment| 1854 Photography
Zak Waters traces the quiet decline of this fiercely passionate subculture — from its soaring past to its precarious present — capturing a vanishing way of life| 1854 Photography
The Dutch-born Moluccan artist is interested in how class, rather than race, creates solidarity among immigrant communities through tender images of young men in Europe| 1854 Photography
The filmmaker returned home to shoot Stepney Western by taking cue from the archives of Tish Murtha, Mik Critchlow and Chris Killip| 1854 Photography
As Peter Mitchell’s retrospective opens at The Photographer’s Gallery in London, we look back at our coverage of the show’s opening in Leeds last year| 1854 Photography
The Afropean author is back with a touring show, curating working-class photographers to present an alternative reading of class aesthetics| 1854 Photography