Since its early days, Shark Week evolved into more entertainment-oriented and sometimes fictional programming. By the 2010s, it attracted much criticism for airing dramatic programs to increase viewers and popularity. This fictitious programming, known as docufiction, has been produced in the last few years. Examples of such programs include Megalodon: The Monster Shark Lives, Shark of Darkness: Wrath of Submarine, Monster Hammerhead, Lair of the Mega Shark, and Megalodon: The New Evidence. T...| en.m.wikipedia.org