The GirlA form, an echo, a praxis. Not bound by age, biology, or identity, but by affect. She is pink-hued resistance, algorithmic surrender, psychic infrastructure. She exists in the temporal space “before”, yet produced endlessly in the now. Almost always.| Dazed MENA
That’s what DJ Haram said, deadpan into the mic, right after cutting the music mid-set. No fade. No transition.| Dazed MENA
WIP Magazine Issue 11 lands with a new installation launched in Turkey| Dazed MENA
Michelle Alozie knows how to hold multiple positions at once, literally and figuratively. A forward at her club, Houston Dash, a defender for Nigeria’s Super Falcons, and a trained medical professional working part-time as a cancer research technician in Texas in between, Alozie is a multi-hyphenate with a rigorous and intuitive playbook. In a world that often demands women simplify themselves to be legible, Alozie’s approach, like that of the rest of her teammates on Nigeria's national t...| Dazed MENA
In the hushed geometries of Paris’s Palais de Tokyo, amid the heavy silences of history and the noise of global turmoil, Chalisée Naamani's new exhibition Octogone opens like a quiet invocation. The Franco-Iranian artist, whose work consistently straddles the personal and the political, has composed a spatial and symbolic reverie—at once installation, procession, and arena—where bodies are sculpted, histories are contested, and clothing becomes both witness and weapon.| Dazed MENA
Joe Echegini loves music but isn’t particularly concerned with noise. A midfielder at Paris Saint-Germain and a forward for Nigeria’s Super Falcons, she plays with a clarity that belies the chaos, bringing a deliberate simplicity to the game, unbothered by distraction or pressure.| Dazed MENA