Chris Killip: ‘Askam-in-Furness’ 1982 at Cooke’s Studios, Barrow-in-Furness, Cumbria, will include almost 80 previously unseen prints and two letters from Killip to members of the community| 1854 Photography
Some 20 years after Périphérique, a new exhibition collates the artist’s celebrated series with three others to deepen his focus on the subject of cultural representation| 1854 Photography
The UK government is consulting on changes to copyright legislation that will help AI companies at the expense of photographers and other creatives| 1854 Photography
Cutting up the canon of photographic images gave Justine Kurland an interest in collage that has blossomed into The Rose, a celebrated exhibition on show and in print this summer| 1854 Photography
Winner of the Star Photobook Dummy Award 2024, Our Hidden Room portrays a complex yet loving father-son relationship| 1854 Photography
UMMAH: Divine Oneness, Worship Plurality brings together 50 contributors whose work speaks to spiritual intimacy, exile, resistance, memory, and belonging| 1854 Photography
Carrie Mae Weems is an iconic figure and yet, argues a new retrospective in Turin, there is still much more to say about the universality and magic of her extensive body of work| 1854 Photography
Co-curator Fabiana Sotillo explains how the show has been structured and the importance of considering photography as a valid medium of fine-arts| 1854 Photography
The academic is based in the Department of War Studies at King’s College London but, she explains, her work centres around peace photography| 1854 Photography
The Church of Our Becoming is Yulia Mahr's challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney| 1854 Photography
