In his quest for a true dance experience, Tatsumi Hijikata founded a place for living and working in sixties Tokyo, named the Asubesuto-kan (Asbestos Hall). The paths of many artists crossed each other there. They created new work, slept, drank and debated different topics, giving rise to what continues to be one of the most significant moments in contemporary dance in Japan. The project Welcome to Asbestos Hall, first developed at Kunstenfestivaldesarts and Holland Festival, now unfolds furt...| www.festival-automne.com
October ArtReview: Lucy Raven's American West, John Smith's filmmaking, Hayley Millar Baker's Indigenous hauntings, Inuuteq Storch's Greenland, Akram Khan, Thelma Golden, H.P. Lovecraft, global exhibitions and books| ArtReview Shop
In borrowing, mixing and adapting postmodern dance traditions, runway modelling, voguing, butoh and fairground ‘hoochie-coochie’ shows, Harrell reclaims dance as a heritage for all| artreview.com
Trajal Harrell Comes and Goes| artreview.com
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