Liz Johnson Artur’s workbooks reveal her experimental drive - 1854 Photography
A new publication offers a glimpse at the artist’s 30-year collection of personal workbooks, revealing a sense of duty to those she photographs| 1854 Photography
A new publication offers a glimpse at the artist’s 30-year collection of personal workbooks, revealing a sense of duty to those she photographs| 1854 Photography
The Saudi Arabian artist displays performance work alongside Iranian Shirin Neshat in Cartographies of Presence in London| 1854 Photography
Some 20 years after Périphérique, a new exhibition collates the artist’s celebrated series with three others to deepen his focus on the subject of cultural representation| 1854 Photography
Co-curator Fabiana Sotillo explains how the show has been structured and the importance of considering photography as a valid medium of fine-arts| 1854 Photography
With a simple glass device, the London-based Pakistani-Bengali artist turns archival photo books into sinister revelations on British colonial histories| 1854 Photography
Started as a vehicle for his own work, Arinzechukwu Patrick’s Random Photo Journal has grown into a lively magazine on Africa and beyond| 1854 Photography
“This is an ambitious, multilayered project,” says Nathalie Herschdorfer, director of Photo Elysée and Jury President of the Lausanne museum’s biennial prize for a mid-career photographer, commenting on the latest recipient, Hannah Darabi’s Why Don’t You Dance?| 1854 Photography
North North South is the Iranian American’s first photo book, published by Gost Books, showing a less glamorous side of the sprawling metropolis| 1854 Photography
The photographer, a One to Watch 2025, shoots her community in black and white, inspired by ideas of exile and making mistakes| 1854 Photography
Hannah Darabi is the winner of the 2025 Prix Elysée with her powerful project ‘Why Don’t You Dance?'| 1854 Photography
