This blog post is by Samuel Adamson, the 2023 recipient of the Kevin Elyot Award; an annual award given to support a writer-in-residence at the Theatre Collection. It is given in memory of the renowned playwright, screenwriter and Bristol Drama alumnus, Kevin Elyot (1951-2014) and the influence he has had on writing and the Arts. The award has been generously funded by an endowment given to the University by members of Kevin’s family. The endowment was gifted along with the Kevin Elyot ...| theatrecollection.blogs.bristol.ac.uk
This blog post is by Samuel Adamson, the 2023 recipient of the Kevin Elyot Award; an annual award given to support a writer-in-residence at the Theatre Collection. It is given in memory of the renowned playwright, screenwriter and Bristol Drama alumnus, Kevin Elyot (1951-2014) and the influence he has had on writing and the Arts. The award has been generously funded by an endowment given to the University by members of Kevin’s family. The endowment was gifted along with the Kevin Elyot ...| University of Bristol Theatre Collection Blog
‘It was like we were outside time’| samueladamson.substack.com
A triumphant second play – A play with time – Sex in the time of Aids – A unique Aids play – A serious comedy – Inexpressible loss| samueladamson.substack.com
As the Kevin Elyot Award writer-in-residence at the University of Bristol Theatre Collection, I have spent time researching the papers of the playwright and screenwriter Kevin Elyot (1951-2014). Here is my fourth article in response to Elyot’s archive, in which I discuss his third play – my favourite Elyot play – The Day I Stood Still. A general reflection on Elyot is here. My article on his debut Coming Clean (1982) is here. My article on his second and most famous play My Ni...| University of Bristol Theatre Collection Blog
As the 2023 Kevin Elyot Award writer-in-residence at the University of Bristol Theatre Collection, I have written a series of articles on the original plays of the playwright and screenwriter Kevin Elyot (1951-2014). Here is my third, on his second and most famous play My Night with Reg. A general reflection on Elyot is here. My piece on his debut play Coming Clean (1982) is here.| University of Bristol Theatre Collection Blog