An introduction to the Uta Hagen technique. Not only was she a titan on the stage, but she went on to teach some of the best actors in the world and create a “system” unrivalled by others.| StageMilk
An extensive list of exercises, techniques, considerations and questions you need to answer for yourself when you build a character.| StageMilk
In this article, we outline some practical ways of using given circumstances to modify and improve your performance on stage and screen.| StageMilk
In this article, we explore rhythm and pace in acting, and how awareness of these concepts can improve your performance and characterisation.| StageMilk
In this article, we talk about how to teach yourself to become an actor. It's not an easy path, but it can be a rewarding one. Read on!| StageMilk
Your guide to what this acting business actually entails, what to do if you wish to enter it and how you might navigate a career as an actor.| StageMilk
In this article, we examine what is subtext in acting, and how an actor can use subtext to enrich their character and performance.| StageMilk
In this article we talk about how to stay in character, why you might do this and in which situations it could be beneficial.| StageMilk
Method acting has greatly influenced acting in contemporary film and theatre, but what is it about method acting that makes it so divisive?| StageMilk
Sense memory and emotional recall - what are they and how can an actor use them to enhance their performance?| StageMilk
One of the fundamental acting techniques is to understand given circumstances. Uta Hagen best describes this concept, but what are given circumstances?| StageMilk