Atefe Moeini’s ‘loose’ quotidian lens across Iran and the US - 1854 Photography
The photographer, a One to Watch 2025, shoots her community in black and white, inspired by ideas of exile and making mistakes| 1854 Photography
The photographer, a One to Watch 2025, shoots her community in black and white, inspired by ideas of exile and making mistakes| 1854 Photography
The artist tells BJP why returning to Autograph Gallery – the first team to commission her – to exhibit the show feels so right| 1854 Photography
Today, Tomorrow is playful, collaborative approach to the “precious” photo album which the Chinese-American photographer rebuilt to heal her ruptured roots| 1854 Photography
Tangerine Dreams is an honest look at the many lives across the British isles and the different communities who call it home – the same communities affected by the current hostile environment| 1854 Photography
The third edition of the festival in Doha, Qatar is anchored by As I Lay Between Two Seas, which depicts identity as a fluid process| 1854 Photography
After publishing Father with Aperture and exhibitions at The National Portrait Gallery and Foam, the Armenian American photographer looks ahead to her shows in Berlin and at Recontres D’Arles| 1854 Photography
Bound by Two Homes blends Iranian cultural iconography with quintessentially British spaces to dissect identity| 1854 Photography
What Did You Want to See? at Ikon Gallery turns the lens on Birmingham’s Muslim community, reclaiming visibility through portraiture and architecture| 1854 Photography
The photographer’s new book with Loose Joints is in dialogue with his previous projects documenting migration| 1854 Photography
People of My Time at Hannah Traore Gallery brings together 50 works spanning two decades, celebrating the intersection of tradition and pop-culture| 1854 Photography
The Italian photographer spent years in Iraq focusing on its Shia communities and complicating the idea of ‘social Islam’| 1854 Photography
The Afropean author is back with a touring show, curating working-class photographers to present an alternative reading of class aesthetics| 1854 Photography
Years before social media, the photographer was already critical of our obsession with celebrity culture and mocked the idea of spectacle| 1854 Photography
How to Unname a Tree dismantles the notion of trees as static symbols, revealing them as beings that blur the lines of identity| 1854 Photography
