"I am looking at materiality and repeatedly putting it through the same process, so repetition is a key aspect of my vocabulary. By repeatedly putting something through the same process - or by repeating something and putting it in a different context - it becomes all too apparent that things can’t be repeated, that each one is totally unique and never the same." Lucinda Burgess’s background in painting, landscape design and oriental philosophy has led to a fascination with the raw elemen...| Interalia Magazine
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 40 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Galler...| Interalia Magazine
‘Universe for Beginners’ is a pattern-rich cosmos conjured up by British-based, Polish artist Rita Rodner. Brooding black-and-white paintings, photographs and drawings appear, on first glance, to be traditional landscapes evoking notions of the sublime. But, lines of code dotted across the surface invite audiences to question if these images are, in fact, virtual. Using experimental techniques, and working directly from source code, Rodner encrypts beauty into her layered realms, reflecti...| Interalia Magazine
Lucinda Burgess’s background in painting, landscape design and oriental philosophy has led to a fascination with the raw elemental qualities of materials and inform a sculptural practice that accentuates the reality of constant change, undermining the idea of a fixed thing, object, entity or identity.| Interalia Magazine
During a residency at the University of Birmingham working with award winning particle physicist Professor Kostas Nikolopoulos in 2017 artist Ian Andrews made transformational changes to his practice creating the project 'The Sketchbook and the Collider which seeks to establish equivalents between the interaction of fundamental particles and the language of drawing. He has since delivered 16 exhibition/events and 40 workshops, including a solo exhibition at the Forum Exposition Bonlieu, Annec...| Interalia Magazine
Through drawing and printmaking Ian Chamberlain reinterprets man-made structures as monuments in the landscape. These structures are architectural metaphors of past and current technological achievements. He has had a long-standing fascination with technology and architectural forms especially the structures within industry, agriculture, science and the military. These have included Goonhilly Earth station, The Lovell Telescope, Cheshire Maunsell Sea Forts in the Thames estuary and the Acoust...| Interalia Magazine
