The Pitt’s 12th episode depicts an ER in the immediate aftermath of a mass-casualty event. Noah Wyle, creator R. Scott Gemmill, and more explain the extraordinary lengths the show went to in order to be as accurate as possible, from exhaustive research to a total production-design reset.| Vanity Fair
“My least favorite thing would be if people were to try to ‘Baby Reindeer’ it,” Dunham says of her upcoming Netflix show. “Because that would be impossible.”| Vanity Fair
Some of TV’s biggest shows—and more than a few Oscar winners—were passed over by Emmy voters in favor of newbies like ‘Adolescence,’ ‘The Pitt,’ and ‘The Studio.’| Vanity Fair
‘Severance’ leads the awards this year with 27 nominations, with ‘The Penguin,’ ‘The Studio,’ and ‘The White Lotus’ close behind.| Vanity Fair
The model and author thought she’d left onscreen work behind. Then Lena Dunham came calling with Too Much.| Vanity Fair