Abstract State-centred diplomacy is primed by foreign policy objectives. Yet when traditional diplomacy suffers from weaknesses—as in the case of Taiwan—their institutions are advised to revise approaches and to consider engaging non-state actors in their strategies. This article critically explores how Indigenous peoples can be considered non-state diplomatic actors in Taiwan’s public/cultural diplomacy. Considering various definitions of diplomacy and different understandings of the r...| Brill
East European art scenes have long invited mostly negative comparisons with their West European counterparts. During the Cold War era, external perceptions often blurred the many differences between state socialisms and their related cultural fields. For their part, local artists and art historians in the countries of Eastern Europe criticized such homogenizing accounts, pointing instead to the many, and wide-ranging, Western connections of individual artists or artist groups with the West, a...| ARTMargins