Title page of Theodore Thomas’s score for Strauss’s Till Eulenspiegel’s Merry Pranks “While in Europe [during the summer of 1883] Theodore Thomas had, as usual, been on …| from the archives
Leonard Bernstein's Symphony No. 3 ("Kaddish") epitomizes the musical and religious contradictions embodied by the man. Bernstein speaks about the making of the "Kaddish"; actress Laila Robins reads the "Closing Prayer"; and Boston scholars detail the musical and religious roots of Bernstein's "12-tone" -- yet tonal symphony.| Classical.org
