Siobhán McDonald is an Irish artist based in Dublin. In a practice that emphasizes field work and collaboration she works with natural materials, withdrawing them from their cycles of generation, growth and decay. Through painting, film, sound and sculpture McDonald explores Dublin Port as a gateway of exchange—reimagined as a porous space of interspecies cohabitation. This haunting journey along the wetland—located on the edges of the port—is a breathing, living system that is able to...| Interalia Magazine
'The Art-Science Symbiosis' book outlines new approaches to understand current scientific practice in general and art-science in particular, showcasing how contemporary art can provide a unique perspective on the meaning and potential of collaboration. The book explores the different scopes of the art- science practice and 22 art-science works from all over the world, including interviews and descriptions by the same art-scientists.| Interalia Magazine
Lucinda Burgess’s background in painting, landscape design and oriental philosophy has led to a fascination with the raw elemental qualities of materials and inform a sculptural practice that accentuates the reality of constant change, undermining the idea of a fixed thing, object, entity or identity.| Interalia Magazine
During American Archives Month, we’re highlighting the work of our Audiovisual Media Preservation Initiative in a series of posts. This is the first post in the series. Smithsonian Institution Archives, more »| Smithsonian Libraries and Archives / Unbound
Pascale Pollier’s work attempts to capture the point where art and science meld. An alchemist at heart, her work begins with observation and experimentation, and is steeped in solid scientific research and findings. Her inspiration is drawn from observing the internal and external human body in all its diversity, life and nature in all its beauty, strength, fragility, disease, mortality, immortality and death. New technologies and philosophies, quantum physics, nanotechnology, animatronics ...| Interalia Magazine
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 40 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Galler...| Interalia Magazine
Through drawing and printmaking Ian Chamberlain reinterprets man-made structures as monuments in the landscape. These structures are architectural metaphors of past and current technological achievements. He has had a long-standing fascination with technology and architectural forms especially the structures within industry, agriculture, science and the military. These have included Goonhilly Earth station, The Lovell Telescope, Cheshire Maunsell Sea Forts in the Thames estuary and the Acoust...| Interalia Magazine
Learn key audio-visual considerations for effective trade show exhibits. This basic guide covers essential A/V elements to enhance your booth's impact and engage attendees.| TPG Trade Show + Event Marketing
Jody Rasch is a New York City area-based artist whose work is based on themes from astronomy, biology, physics and spectra. The artist has been exhibiting his work nationally for over 25 years. Duality–abstraction and representation, the literal and the metaphorical, science and mysticism, the unseen and the seen–is a predominant theme in Rasch’s work. "These pieces, based on electron microscopy, particle accelerators, and radio astronomy are an expression of both the patterns of the na...| Interalia Magazine