Are you listening comfortably? Audio drama and theatre - Cherwell
When people think of podcasts, they probably wouldn’t associate them with theatre. I was curious to see staged performances of audio drama.| Cherwell
This summer, more than 20 English educators from around the world came to Michigan State University’s campus to be immersed in the language and culture while also learning new creative approaches to teaching English in their home countries. MSU was awarded $116,000 from the U.S. Department of State to lead and host the two-week exchange […]| College of Arts & Letters
The Michigan State University Department of Theatre presents the William Shakespeare tragedy “Othello” Nov. 7-16, 2025, at the Pasant Theatre in the Wharton Center for Performing Arts. Directed by Ji Won Jeon, Assistant Professor in the Department of Theatre, this production asks what happens when fear takes control, not just in one man’s life, but in a divided society.| College of Arts & Letters
Michigan State University students can receive free tickets to the remaining MSU Department of Theatre productions in the 2025-2026 season, "Secrets & Spotlights." To receive a free ticket, students need to show their MSU student ID at the Wharton Center Ticket Office in the days prior to the show or at the ticket booth where the production is being held just prior to the show. One free ticket will be given per student per production.| College of Arts & Letters
Far from typical large-scale university theatre productions, independent theatre promises unique, cutting-edge stories. The post Student-written play ‘Washing Machines’ aims to bring humour, horror, and heartbreak to audiences appeared first on The Queen's Journal.| The Queen's Journal
”You've got a father who never respected you, you've got a family who doesn't respect you, and you have all of this power available to you that your family assumes you will never use.” -Michael Healey, author of Rogers vs. Rogers The post #1240 Rogers vs. Rogers appeared first on CANADALAND.| Episodes Archive - CANADALAND
GrèceHebdo a rencontré Stathis Livathinos, l’un des metteurs en scène les plus marquants de sa génération. Ancien directeur artistique du Théâtre national de Grèce (2015-2019) et de sa Scène expérimentale (2001-2007), il est particulièrement reconnu pour son travail avec un groupe d’acteurs stable, qui fête cette année ses 25 ans d’existence. En juin 2025, Stathis Livathinos […] The post Interview | Stathis Livathinos : « Le théâtre ne donne pas de réponses car la v...| Grèce Hebdo
Throughout history, women were often silenced. Yet the stage gave them a way to speak, to protest, and to resist. The theatre stage is more than entertainment. It shows hidden problems, social pressures, and unspoken dreams. Particularly for women, it became a place of rebellion. When they could not join public debates, they found their […]| VOICES
When people think of podcasts, they probably wouldn’t associate them with theatre. I was curious to see staged performances of audio drama.| Cherwell
Please take part in the VocalEyes Spotlight on theatre survey, Have Your Say and help us shape our future work and advocate for better audio description. We want to hear your views on all areas of audio description. There are 22 questions, many are m [...]| vocaleyes.co.uk
Fiddler on the Roof – Bord Gáis Energy Theatre – Review 07 – 18 October 2025 Find out more about this production of Fiddler on the Roof on their website here. Tevye […]| No More Workhorse
The Quiet Men – Viking Theatre – Review Review by Frank L The Quiet Men – Written and Performed by Morgan C. Jones Morgan Jones is a great-nephew of the brothers Arthur […]| No More Workhorse
BÁN – Abbey Theatre (Peacock Stage) – Review Part of the Dublin Theatre Festival. BÁN – An Abbey Theatre production – Written by Carys D. Coburn Directed by Claire O’Reilly Dates: 30 […]| No More Workhorse
The God and His Daughter – Abbey Theatre – Review Part of the Dublin Theatre Festival The Boy: A Two-Play Theatrical Event – Written by Marina Carr Directed by Caitríona McLaughlin Dates: […]| No More Workhorse
Telling the story of Bonnie Mackay, a young girl who grows up with her papa, Common Tongue is a Scots ... The post Review: Common Tongue at Cumbernauld Theatre | Five Stars **** appeared first on SNACK: Music, film, arts and culture magazine for Scotland.| SNACK: Music, film, arts and culture magazine for Scotland
The Municipal Theater of Piraeus, a landmark of the city of Piraeus, celebrates its 130th anniversary this year. With a long and remarkable history linked to that of Piraeus, the Theater, which opened its doors on April 19, 1895, reflects the economic, social, and political life of Greece's leading port. The decision to build the theater was taken in 1883, at a time when Piraeus was in its economic, industrial and cultural heyday. The presence of eminent figures from the worlds of literature ...| Greek News Agenda
I go to see a lot of theatrical productions. While most shows are good, the audience experience is usually dreadful. I'm not just talking about cramped seats and disgusting toilets (although they play a part) but that theatres haven't cottoned on to the idea that theatre is an immersive experience which can't be replicated by watching Netflix. There's an excellent article in The Stage about the…| Terence Eden’s Blog
In Oxford's drama scene, the same titles, writers and genres still dominate the listings. Why has student drama lost its creativity?| Cherwell
An interdisciplinary theatre production that reimagines a Korean folktale through the lens of cancel culture, restorative justice, and the Me Too movement. Blending physical theatre, shamanistic ritual, and digital storytelling, the piece unfolds across Korea, the UK, and the US, tracing two sisters as they confront the fallout of their father’s public disgrace. Rooted in| London Korean Links | Covering things Korean in London and beyond since 2006
As the nights start to draw in, October very much feels like the beginning of the season for going to the theatre. On Wednesday 15 October, a new play called DRUM, from award-nominated writer Jacob Roberts Mensah, and director Sarah Amankwah, comes to Stanley Arts. About two rising Ghanaian creatives working for the BBC in... » The post The beat of belonging in DRUM appeared first on Croydonist.| Croydonist
If you were in Queens Gardens last weekend for the quirky craft activities to celebrate all things architectural as part of Open House, then you’ll enjoy the next Culture Croydon offering coming up. Drum roll please, as the Walnut Fair returns this year on Saturday 4 and Sunday 5 October to help us get into... » The post Walnut wonders appeared first on Croydonist.| Croydonist
POOR – Gate Theatre – Review Part of the Dublin Theatre Festival Dates: 26th Sept – 2nd Nov Gate Theatre and Belgrade Theatre, Coventry – POOR by Katriona O’Sullivan, …| No More Workhorse
The Boy – Abbey Theatre – Review by Brian Merriman Part of the Dublin Theatre Festival The Boy – Written by Marina Carr Directed by Caitriona Mc Laughlin Runs until November 1st …| No More Workhorse
Almost Home – Bewley’s Cafe Theatre – Review by Frank L. Almost Home – written by Barry McKinley Dates: September 29th – October 18th, 2025 The backdrop to the stage i…| No More Workhorse
Honestly – The Space – Review by Hugh Maguire Dates: 24 Sep – 28 Sep With a ‘West End’ dominated by the glitzy world of Disney – and associated exorbitant costs, one has to go to …| No More Workhorse
The Sound Inside – Pavilion Theatre – Review The Sound Inside by Adam Rapp Pavilion Theatre presents a Pádraig Cusack & Half Moon Street Ltd production in association with the Royal…| No More Workhorse
Black Hole Sign is a complex piece of theatre set one full night in Accident and Emergency, the backdrop for ... The post Black Hole Sign: Authentic and funny but theatrically thin drama reflects an NHS on its knees – 3 Stars *** appeared first on SNACK: Music, film, arts and culture magazine for Scotland.| SNACK: Music, film, arts and culture magazine for Scotland
For nearly a century horror has been one of the most popular genres in film, television, and novels. But you don’t find much horror on stage. Not anymore. When was the last time you saw [...] The post ‘Puppets in the Hands of a Malevolent God’ Unearths Classic Horror Genre for Windsor Audiences appeared first on 519 Magazine.| 519 Magazine
Amsterdam – Dublin Fringe Festival – Review by Frank L AMSTERDAM – Made Up Productions Co-presented by Dublin Fringe Festival & Glass Mask Theatre Performances – 12 Sept…| No More Workhorse
Variations for Two Disabled Bodies – Project Arts Centre – Review by Bobbi Byrne & Soso Ní Cheallaigh Performances 10 Sept, 18:30 (preview), 11 – 13 Sept, 18:30 Venue – …| No More Workhorse
If you missed the AD show in April, we’re back at the London Hippodrome Casino on Wednesday 1st October for Magic Mike live, a tantalising, raucous and cheeky show. Conceived and directed by Channing Tatum, and based on the Hollywood movie, expec [...]| vocaleyes.co.uk
Reverb – Civic Theatre – Review REVERB – Luail – Co-presented by Civic Theatre & Dublin Fringe Festival The Dublin Fringe Festival was in the suburbs on Thursday night, …| No More Workhorse
Apocalypse HOW? – Dublin Fringe Festival – Review by Brian Merriman Presented by Doomslayers: Annie Queeries, Donna Fella and Laylah Beattie Dublin Castle Royal Chapel until September 1…| No More Workhorse
West Hollywood's Chasen's was a glamorous world - "Celebrity chefs" will never replace sty...| Cruising The Past
These 4 Rules of Improv provide a powerful framework for fostering cooperative learning environments where every student can thrive. Mastering these skills can transform not just our classrooms, but our students' lives beyond our walls. The post 4 Rules of Improv: Building Cooperation and Community in a Theatre Classroom appeared first on Cathedral Arts Project.| Cathedral Arts Project
The Secrets of Primrose Square – Gaiety Theatre – Review DATES: 9th Sep. – 13th Sep. The Secrets of Primrose Square is three interwoven stories based on a simple quote by Eleanor …| No More Workhorse
+353 Presents: The Revenger’s Tragedy – Dublin Fringe Festival – Review by Brian Merriman Performances – 10 – 13 Sept, 21:00, 13 Sept, 15:00 Venue – Abbey Theatr…| No More Workhorse
Hungry Grass/Stray Sod – Dublin Fringe Festival – Review Hungry Grass/Stray Sod – Wandering Stories Theatre Performances – 8 Sept, 19:00 (preview), 8 Sept, 20:15, 9 – …| No More Workhorse
TESTO – Dublin Fringe Festival – Review TESTO – Wet Mess – Presented by Dublin Fringe Festival Performances – 9 – 10 Sept, 21:00 Venue – Project Arts Centr…| No More Workhorse
Don’t Tell Dad About Diana – Dublin Fringe Festival – Review by Brian Merriman Performances – 8 Sept, 18:00 (preview), 9 – 10 Sept, 20:00, 12 Sept, 13:00 & 20:00, …| No More Workhorse
Lila Tristram – America – Album Review Lila Tristram is a UK-based singer-songwriter who has previously released a few solo EPs. This is her first full-length album, and unlike her EPs, this…| No More Workhorse
Good With Faces – Dublin Fringe Festival – Review Good With Faces – Oisín Kearney Venue – Project Arts Centre – Cube Performances – 6 Sept, 18:30 (preview), 7 &#…| No More Workhorse
Pea Dinneen: Raising Her Voice – Dublin Fringe Festival – Review by Brian Merriman Presented by Pea Dinneen & Once Off Productions Performances – 6 Sept, 18:15 (preview), 7 Se…| No More Workhorse
Octopus Children – Dublin Fringe Festival – Review FELISPEAKS – Presented by THISISPOPBABY Performances 5 Sept, 21:00 (preview), 6 – 7 Sept , 21:00, 11 – 14 Sept, 18:…| No More Workhorse
Synapses – Civic Theatre – Review We meet Mike (Liam Wilson Smyth) when he is dropping his son back to his ex-wife, Emily (Molly Downey). They are a young couple that were once very muc…| No More Workhorse
The Girl on the Train – Bord Gais Energy Theatre – Review THE GIRL ON THE TRAIN – 26 – 30 August 2025 Rachel Watson (Laura Whitmore) is a young woman who is struggling with …| No More Workhorse
conventionally middle-class—UK, 1953—from ‘Mrs Dale’, the name of a conventional middle-class woman in Mrs Dale’s Diary, a BBC radio serial broadcast from 1948 to 1969| word histories
At the turn of the 20th century, Jack Johnson not only shattered boxing records but also broke through social barriers.| PlayMakers Repertory Company
Yes, Croydonites is back and is celebrating turning ten! Our favourite festival of theatre and performance takes place this Autumn from 8-18 October in venues around the town centre and South Norwood, with a mission to showcase local theatre makers, and bring some of the best contemporary performance work from around the UK to Croydon... » The post Croydonites is double digits appeared first on Croydonist.| Croydonist
Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse created by John Butler.| Cherwell
I spend a lot of time thinking about belonging these days. With my Polish-Tunisian blood boiling at the news, it’s ...| SNACK: Music, film, arts and culture magazine for Scotland
The dazzling promise of Broadway and London’s West End is simple: Everyone gets a shot, and the best rise to the top. But walk into almost any major theater today, and you’ll see a new, unspoken law at work-a “40% Black, 50% White (mostly women)” rule that quietly shoves Latinos, Asians, and white men to ...| Cruising The Past
Back in February 2025, Norwich Castle published a call-out for people of all ages and backgrounds to come together to dance, with workshops building up to a performance. We had an incredible respon…| Norwich Castle Museum & Art Gallery
Mississauga Players used their Fall 2023 ArtsCare MicroGrant to produce the SWAP Senior Theatre Workshop, engaging 15 seniors in every aspect of theatre production. The post MicroGrant Success: Mississauga Players, Fall 2023 appeared first on Mississauga Arts Council.| Mississauga Arts Council
In the lobby of the August Wilson house you can read a letter that Pittsburgh Playwrights Theatre Company’s founder and artistic director Mark Clayton Southers wrote to August Wilson in 2002, describing his intent to establish a theater in Pittsburgh that would offer Black audiences stories that spoke to their history and lived experience. Wilson’s … … Continue reading →| The Pittsburgh Tatler
Timestamp, by Emilee Lord and Karen Cecilia, is a part-theremin, part-dance exploration of womanhood, expectation, and time.| Cherwell
HOLE IN THE WALL L'HOPITAL is his Fringe debut and though somewhat scrappy, it is full of vulnerability that makes it a worthwhile watch.| Cherwell
Playwright of A Good Boy and Founder of Hidden Voices In the early 2000s, playwright Lynden Harris had a vision for a company dedicated to […]| PlayMakers Repertory Company
ShareMark Thompson’s Spectacular Science Show – 4 stars Gilded Balloon at the Museum (Auditorium) Until 10 August at 11.45 (£13.00, conc £12) AD | I have been or could be if you click on a link in this post compensated via a cash payment, gift or something else of value for writing this post. See ... Read more| Mini Travellers - Family Travel & Family Holiday Tips
We are pleased to announce an exciting, free training opportunity in live theatre audio description, delivered by VocalEyes in partnership […]| VocalEyes
If you were to ask me what I love most about Chekhov as a writer, I’d probably say that it’s …Continue reading →| The Pittsburgh Tatler
Your Tatler has been out of town for much of the summer; the ‘burgh has welcomed her back not only with oppressive heat (ugh) but also a rich offering of theater, music, and art in the coming weeks…| The Pittsburgh Tatler
Getty Villa Stages Rock-Fueled Oedipus Satire Under the Stars The Getty Villa Museum will bring the myth of Oedipus to...| WestsideToday
SUNDAY SUPPLEMENT: Born in South Croydon in 1888, actor and playwright Miles Malleson’s work drew plaudits from Olivier, Thorndike and Gielgud. DAVID MORGAN recalls the life, career and campa…| Inside Croydon
Simon Parkes, who bought Brixton Academy for £1 in 1982, recalls how he turned a struggling venue into a world-class live gig space.| Big Issue
Unless you’ve been living under a rock, you will have heard about the groundbreaking and multi-award winning musical HAMILTON. Created by Lin-Manuel Miranda, HAMILTON is a sung-and-rapped biographical musical that tells a revolutionary story of passion, unstoppable ambition, and the birth of the nation the United States of America. HAMILTON follows the rise of Founding […] Read more... The post 6 reasons why you should take your tweens and teens to see HAMILTON appeared first on Adventur...| Adventure, baby!
The Benefits of Speech and Drama Class for UK Home Educated Teens What’s so great about online speech and drama ... Read more The post Speech and Drama Class for Home Education Families appeared first on Arise Home Education.| Arise Home Education
Santa Cruz Shakespeare finishes their summer season tonight (they still have Glass Menagerie in the fall and Christmas Carol in December), so I’ll post my reviews now. Let’s start with the “Fringe” productions: two staged readings and the intern’s play. The first staged reading was Vanya and Sonia and Masha and Spike by Christopher Durang. They selected the play to commemorate […]| Gas station without pumps
Strong Wind – Smock Alley Theatre – Review Dates: 6 – 31 May 2025 @ 8pm, 31 May @ 3pm – Boys’ School Jon Olav Fosse is a Norwegian author, translator, and playwright who won the N…| No More Workhorse
Tina: The Tina Turner Musical – Bord Gáis Energy Theatre – Review by Brian Merriman Presented in association with Tina Turner Dates: 27 May – 14 June 2025 Just two years ago this …| No More Workhorse
Scorched Earth – Dublin Dance Festival – Review On the Abbey Stage – Dates: 23 – 24 May 2025 Written, Directed and Choreographed by Luke Murphy Scorched Earth runs at the Ga…| No More Workhorse
Re:INCARNATION – Dublin Dance Festival – Review Dates: 20 May – 21 May – On the Abbey Stage Directed and Choreographed by Qudus Onikeku QDance Company are from Lagos, Nigeria, so…| No More Workhorse
Matthew Bourne’s Swan Lake – Bord Gais Energy Theatre – Review by Frank L. Dates: 20 – 24 May 2025 – Part of the Dublin Dance Festival It was over thirty years ago th…| No More Workhorse
Somnole – Dublin Dance Festival – Review by Frank L. Somnole – performed at the Project Arts Centre Somnole choreographed and performed by Boris Charmatz The stage is entirely emp…| No More Workhorse
Specky Clark – Dublin Dance Festival – Review Performed at the Abbey Theatre Find out more about Oona Doherty here. Specky Clark – Co-produced and presented by Dublin Dance Festiv…| No More Workhorse
Lovesong – Gate Theatre – Review LOVESONG by Abi Morgan Dates – 9th May to 15th June 2025 Photo: Patricio Cassinoni We meet a couple, Maggie and Billy, at two stages of their liv…| No More Workhorse
Source On Sunday 4 th May Vicky & I saw Berkeley Rep's production of a thought-provoking new play by Moisés Kaufman, Amanda Gronich, and ...| blog.dshr.org
It was the opening dance sequence—and the cover of the program—that threw me off. Elizabeth Bennet, headphones slung casually around her neck, slow-mo dancing to EDM (electronic dance music)? I balked. I’d expected a traditional| DownshiftingPRO
For an industry so obsessed with news, why are we so reluctant to cover new things?| One Man & His Blog
Meet the stellar ensemble led by director Christopher Windom in Dominique Morisseau's CONFEDERATES. The post Meet the Cast of Confederates appeared first on PlayMakers Repertory Company.| PlayMakers Repertory Company
In a time when headlines read like punchlines and we see the powerful punching down, Morisseau's "Confederates" is right on time–and comedy is all in the timing. The post If We Don’t Laugh, We’ll Cry appeared first on PlayMakers Repertory Company.| PlayMakers Repertory Company
Dramaturgy Fellow Lexi Silva shares her thoughts on Willy Loman and what we can learn from him. The post What I Learned from Willy Loman appeared first on PlayMakers Repertory Company.| PlayMakers Repertory Company
You have been requested and invited to come bargain with Uncanny Things. This is a world much like ours, with one exception. Those creatures in old stories and legends: the fey in the shadow of ancient trees, the hellkin lingering in bloody cellars, the bastions chanting at the edge of hearing: they are real. That […]| The Escape Roomer
Interview with Breda McCann – Two Minutes – Civic Theatre Interview with Breda McCann, writer of Two Minutes, running at the Civic Studio, Tallaght, April 16th to 19th. Starring: Wayne …| No More Workhorse
The post PAF Connects at Project Arts Centre: Live Collision appeared first on Project Arts Centre.| Project Arts Centre
I’d like to invite everyone to see Cabrillo’s Spring play Fortinbras at the Black Box theater inside Crocker Theater on Cabrillo’s Aptos campus. The play by Lee Blessing is a very silly, very funny…| Gas station without pumps
This Spain-set dramedy by Andrew Bovell is compelling and wildly satisfying, despite the mixed performances throughout.| Eden Caceda
Cock – Smock Alley – Review 4 – 8 Mar 2025 @ 8pm Sat 8 @ 3pm – Boys’ School – Smock Alley Cock tells the story of John (Séan Mc Manus), a gay man who has found himself with …| No More Workhorse
No Romance: A Desperate Business – Bewley’s Cafe Theatre – Review February 24th – March 15, 2025 No Romance: A Desperate Business written by Nancy Harris The set is a funera…| No More Workhorse
King Lear – Gate Theatre – Review Photos by Ross Kavanagh Dates – 21st Feb until 27th April When King Lear (Conleth Hill) utters the immortal line ‘Nothing will come of noth…| No More Workhorse
MILK – Abbey Theatre – Review The Abbey Theatre presents a Khashabi Theatre / Palestine production MILK مِلْك Dates – 20 February – 1 March 2025 By Bashar Murkus and Khulood…| No More Workhorse
Did I Ever Tell Ya – Viking Theatre – Review by Frank L. Did I Ever Tell Ya – written by David Gilna Monday 17 February – Saturday 1 March 2025 20:00 David Gilna is back wit…| No More Workhorse
MANY MEs – Project Arts Centre – Review Date – 18th February Time – 7:30pm Space – The Space Upstairs – Duration – 40 minutes This is a solo piece by chore…| No More Workhorse
Who is Little Women for? In Constance Swain’s director’s note for the ASC’s new production, she is quite candid that this mainstay of American literature is not and was not for he…| Come To The Pedlar
Written by Yi-Ping Wu. The 2024 Taiwan Theatre Report analyses the trends in Taiwan’s theatre scene, highlighting the rising popularity of musicals and comedy while addressing the impact of t…| Taiwan Insight
Heavily billed and marketed as Sigourney Weaver’s West End debut, the Jamie Lloyd Company’s production of Shakespeare’s The Tempest, now showing at The Theatre Royal Drury Lane, is entirely vivified by the much-decorated Hollywood icon. As Prospero – become woman, in a pleasing symmetry to male actors’ insisted-upon performances of female roles during the Bard’s […]| The Upcoming
Lillian Hellman’s The Little Foxes is coming to the Young Vic Theatre, reimagined by Lyndsey Turner (Coriolanus). Set in the early 1900s American South, this adaptation is a gripping tale of greed, betrayal and social injustice, brought to life by Anne-Marie Duff as the ambitious Regina. Regina is a woman with a sharp mind and […]| The Upcoming
At Michigan State University, faculty and students are using theatre and dance to illuminate the effects of climate change through a project in partnership with Bullfrogs Ballet artists, educators, and students in North Macedonia. The Ripple Effect project was funded…| College of Arts & Letters
Emma – Abbey Theatre – Review Dates: 22 November – 25 January 2025 Written by Kate Hamill, based on the novel by Jane Austen Directed by Claire O’Reilly ” Emma Woodhou…| No More Workhorse
The year is almost over. It’s finally time to snuggle up against the cold and hygge with family and friends, as Oaken sings in Disney’s Frozen. This month’s column has gifts for everyone, from A| HillRag
