Date: Friday 17 October - Saturday 18 October 2025, 7pm - 8pm Venue: John Lyon's Theatre | 1-10 Keeley Street | London WC2B 4BA | [Map]Tickets: £15.00 | Get tickets here An interdisciplinary theatre production that reimagines a Korean folktale through the lens of cancel culture, restorative justice, and the Me Too movement. Blending physical ... [Read More] The post Namoo Chae Lee’s Cancelling Tiger, at the Bloomsbury Festival first appeared on London Korean Links.| London Korean Links
As the nights start to draw in, October very much feels like the beginning of the season for going to the theatre. On Wednesday 15 October, a new play called DRUM, from award-nominated writer Jacob Roberts Mensah, and director Sarah Amankwah, comes to Stanley Arts. About two rising Ghanaian creatives working for the BBC in... » The post The beat of belonging in DRUM appeared first on Croydonist.| Croydonist
If you were in Queens Gardens last weekend for the quirky craft activities to celebrate all things architectural as part of Open House, then you’ll enjoy the next Culture Croydon offering coming up. Drum roll please, as the Walnut Fair returns this year on Saturday 4 and Sunday 5 October to help us get into... » The post Walnut wonders appeared first on Croydonist.| Croydonist
POOR – Gate Theatre – Review Part of the Dublin Theatre Festival Dates: 26th Sept – 2nd Nov Gate Theatre and Belgrade Theatre, Coventry – POOR by Katriona O’Sullivan, adapted by Sonya […]| No More Workhorse
The Boy – Abbey Theatre – Review by Brian Merriman Part of the Dublin Theatre Festival The Boy – Written by Marina Carr Directed by Caitriona Mc Laughlin Runs until November 1st […]| No More Workhorse
Almost Home – Bewley’s Cafe Theatre – Review by Frank L. Almost Home – written by Barry McKinley Dates: September 29th – October 18th, 2025 The backdrop to the stage is a […]| No More Workhorse
Honestly – The Space – Review by Hugh Maguire Dates: 24 Sep – 28 Sep With a ‘West End’ dominated by the glitzy world of Disney – and associated exorbitant costs, one […]| No More Workhorse
Macbeth – Gaiety Theatre – Review Druid’s production of William Shakespeare’s ‘Macbeth’ – Part of the Dublin Theatre Festival Dates – 25 Sep–5 Oct Photos by Ros Kavanagh This production is by […]| No More Workhorse
The Sound Inside – Pavilion Theatre – Review The Sound Inside by Adam Rapp Pavilion Theatre presents a Pádraig Cusack & Half Moon Street Ltd production in association with the Royal…| No More Workhorse
The alumna’s “Plum” sold out four preplanned shows and one encore performance.| The Temple News
Readers theatre performance of a steampunk novelette by author C.J. Carter-Stephenson.Read more ›| calendar
Black Hole Sign is a complex piece of theatre set one full night in Accident and Emergency, the backdrop for ... The post Black Hole Sign: Authentic and funny but theatrically thin drama reflects an NHS on its knees – 3 Stars *** appeared first on SNACK: Music, film, arts and culture magazine for Scotland.| SNACK: Music, film, arts and culture magazine for Scotland
Unfortunately, the pacing of the show makes it difficult to believe the genuine depth of Lucy and Henry’s romance at first, as the directors/writers have ambitiously attempted to keep the musical’s running time the same as the film’s. Moreover, the sacrifices and grief of Lucy’s family (only examined in “Stay Away”), who every day painstakingly recreate the same day for Lucy, could have been explored more deeply if the show were longer.| Strand Magazine
Hamlet – Dublin Theatre Festival – Review TEATRO LA PLAZA – HAMLET – BASED ON THE PLAY BY WILLIAM SHAKESPEARE, ADAPTED BY CHELA DE FERRARI Duration: 1 hr 35 mins, no interval […]| No More Workhorse
Here and Now – The Steps Musical – Bord Gáis Energy Theatre – Review by Brian Merriman 23 September – 04 October 2025 Written by Shaun Kitchener Directed by Rachel Kavanaugh Sometimes […]| No More Workhorse
Seven Ages of Mam – Viking Theatre – Review by Frank L Seven Ages of Mam – written by Mark Evans and Pauline O’Driscoll Helpfully, the programme note sets out an extract […]| No More Workhorse
Michigan State University's Department of Theatre continues its 2025-2026 Season, Secrets & Spotlights, with two plays performed in repertory that span more than a century of theatrical storytelling. Anton Chekhov's “The Seagull,” first performed in 1896, and Aaron Posner's “Stupid F**king Bird,” a bold reimagining of Chekhov's classic, will run Oct. 4-12, 2025, in the MSU Auditorium’s Arena Theatre.| College of Arts & Letters
Shredder – Dublin Fringe Festival – Review Shredder – David McGovern Performances – 16 Sept, 21:15 (preview), 17 – 20 Sept, 21:15, 20 Sept, 15:45 Shredder written and …| No More Workhorse
For nearly a century horror has been one of the most popular genres in film, television, and novels. But you don’t find much horror on stage. Not anymore. When was the last time you saw [...] The post ‘Puppets in the Hands of a Malevolent God’ Unearths Classic Horror Genre for Windsor Audiences appeared first on 519 Magazine.| 519 Magazine
Potted Panto crams seven classic pantomimes into 80 minutes of riotous fun, delivering a laugh-a-minute festive treat for all ages.| ianVisits
Amsterdam – Dublin Fringe Festival – Review by Frank L AMSTERDAM – Made Up Productions Co-presented by Dublin Fringe Festival & Glass Mask Theatre Performances – 12 Sept…| No More Workhorse
Variations for Two Disabled Bodies – Project Arts Centre – Review by Bobbi Byrne & Soso Ní Cheallaigh Performances 10 Sept, 18:30 (preview), 11 – 13 Sept, 18:30 Venue – …| No More Workhorse
If you missed the AD show in April, we’re back at the London Hippodrome Casino on Wednesday 1st October for Magic Mike live, a tantalising, raucous and cheeky show. Conceived and directed by Channing Tatum, and based on the Hollywood movie, expec [...]| vocaleyes.co.uk
Golden Time (and Other Behavioural Management Strategies) is an engaging and beautifully written creative performance on neurodiversity in what feels ... The post Golden Time at Edinburgh Fringe 2025: Kate Ireland Brings a Meaningful Reflection on What ‘Being Different’ Means in a Strict Educational System (4 Stars ****) appeared first on SNACK: Music, film, arts and culture magazine for Scotland.| SNACK: Music, film, arts and culture magazine for Scotland
Reverb – Civic Theatre – Review REVERB – Luail – Co-presented by Civic Theatre & Dublin Fringe Festival The Dublin Fringe Festival was in the suburbs on Thursday night, …| No More Workhorse
Apocalypse HOW? – Dublin Fringe Festival – Review by Brian Merriman Presented by Doomslayers: Annie Queeries, Donna Fella and Laylah Beattie Dublin Castle Royal Chapel until September 1…| No More Workhorse
West Hollywood's Chasen's was a glamorous world - "Celebrity chefs" will never replace sty...| Cruising The Past
These 4 Rules of Improv provide a powerful framework for fostering cooperative learning environments where every student can thrive. Mastering these skills can transform not just our classrooms, but our students' lives beyond our walls. The post 4 Rules of Improv: Building Cooperation and Community in a Theatre Classroom appeared first on Cathedral Arts Project.| Cathedral Arts Project
The Secrets of Primrose Square – Gaiety Theatre – Review DATES: 9th Sep. – 13th Sep. The Secrets of Primrose Square is three interwoven stories based on a simple quote by Eleanor …| No More Workhorse
+353 Presents: The Revenger’s Tragedy – Dublin Fringe Festival – Review by Brian Merriman Performances – 10 – 13 Sept, 21:00, 13 Sept, 15:00 Venue – Abbey Theatr…| No More Workhorse
Hungry Grass/Stray Sod – Dublin Fringe Festival – Review Hungry Grass/Stray Sod – Wandering Stories Theatre Performances – 8 Sept, 19:00 (preview), 8 Sept, 20:15, 9 – …| No More Workhorse
TESTO – Dublin Fringe Festival – Review TESTO – Wet Mess – Presented by Dublin Fringe Festival Performances – 9 – 10 Sept, 21:00 Venue – Project Arts Centr…| No More Workhorse
Don’t Tell Dad About Diana – Dublin Fringe Festival – Review by Brian Merriman Performances – 8 Sept, 18:00 (preview), 9 – 10 Sept, 20:00, 12 Sept, 13:00 & 20:00, …| No More Workhorse
Lila Tristram – America – Album Review Lila Tristram is a UK-based singer-songwriter who has previously released a few solo EPs. This is her first full-length album, and unlike her EPs, this…| No More Workhorse
Good With Faces – Dublin Fringe Festival – Review Good With Faces – Oisín Kearney Venue – Project Arts Centre – Cube Performances – 6 Sept, 18:30 (preview), 7 &#…| No More Workhorse
Pea Dinneen: Raising Her Voice – Dublin Fringe Festival – Review by Brian Merriman Presented by Pea Dinneen & Once Off Productions Performances – 6 Sept, 18:15 (preview), 7 Se…| No More Workhorse
Octopus Children – Dublin Fringe Festival – Review FELISPEAKS – Presented by THISISPOPBABY Performances 5 Sept, 21:00 (preview), 6 – 7 Sept , 21:00, 11 – 14 Sept, 18:…| No More Workhorse
Synapses – Civic Theatre – Review We meet Mike (Liam Wilson Smyth) when he is dropping his son back to his ex-wife, Emily (Molly Downey). They are a young couple that were once very muc…| No More Workhorse
The Girl on the Train – Bord Gais Energy Theatre – Review THE GIRL ON THE TRAIN – 26 – 30 August 2025 Rachel Watson (Laura Whitmore) is a young woman who is struggling with …| No More Workhorse
conventionally middle-class—UK, 1953—from ‘Mrs Dale’, the name of a conventional middle-class woman in Mrs Dale’s Diary, a BBC radio serial broadcast from 1948 to 1969| word histories
At the turn of the 20th century, Jack Johnson not only shattered boxing records but also broke through social barriers.| PlayMakers Repertory Company
Yes, Croydonites is back and is celebrating turning ten! Our favourite festival of theatre and performance takes place this Autumn from 8-18 October in venues around the town centre and South Norwood, with a mission to showcase local theatre makers, and bring some of the best contemporary performance work from around the UK to Croydon... » The post Croydonites is double digits appeared first on Croydonist.| Croydonist
What kind of world are we leaving behind? This urgent question sits at the heart of Legacy — a powerful […] The post LEGACY: A New Protest Play Amplifying the Voice of a Generation appeared first on Compass.| Compass
Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse created by John Butler.| Cherwell
I spend a lot of time thinking about belonging these days. With my Polish-Tunisian blood boiling at the news, it’s ...| SNACK: Music, film, arts and culture magazine for Scotland
The dazzling promise of Broadway and London’s West End is simple: Everyone gets a shot, and the best rise to the top. But walk into almost any major theater today, and you’ll see a new, unspoken law at work-a “40% Black, 50% White (mostly women)” rule that quietly shoves Latinos, Asians, and white men to ...| Cruising The Past
Back in February 2025, Norwich Castle published a call-out for people of all ages and backgrounds to come together to dance, with workshops building up to a performance. We had an incredible respon…| Norwich Castle Museum & Art Gallery
Mississauga Players used their Fall 2023 ArtsCare MicroGrant to produce the SWAP Senior Theatre Workshop, engaging 15 seniors in every aspect of theatre production. The post MicroGrant Success: Mississauga Players, Fall 2023 appeared first on Mississauga Arts Council.| Mississauga Arts Council
In the lobby of the August Wilson house you can read a letter that Pittsburgh Playwrights Theatre Company’s founder and artistic director Mark Clayton Southers wrote to August Wilson in 2002, describing his intent to establish a theater in Pittsburgh that would offer Black audiences stories that spoke to their history and lived experience. Wilson’s … … Continue reading →| The Pittsburgh Tatler
Timestamp, by Emilee Lord and Karen Cecilia, is a part-theremin, part-dance exploration of womanhood, expectation, and time.| Cherwell
HOLE IN THE WALL L'HOPITAL is his Fringe debut and though somewhat scrappy, it is full of vulnerability that makes it a worthwhile watch.| Cherwell
Playwright of A Good Boy and Founder of Hidden Voices In the early 2000s, playwright Lynden Harris had a vision for a company dedicated to […]| PlayMakers Repertory Company
ShareMark Thompson’s Spectacular Science Show – 4 stars Gilded Balloon at the Museum (Auditorium) Until 10 August at 11.45 (£13.00, conc £12) AD | I have been or could be if you click on a link in this post compensated via a cash payment, gift or something else of value for writing this post. See ... Read more| Mini Travellers - Family Travel & Family Holiday Tips
We are pleased to announce an exciting, free training opportunity in live theatre audio description, delivered by VocalEyes in partnership […]| VocalEyes
If you were to ask me what I love most about Chekhov as a writer, I’d probably say that it’s …Continue reading →| The Pittsburgh Tatler
Your Tatler has been out of town for much of the summer; the ‘burgh has welcomed her back not only with oppressive heat (ugh) but also a rich offering of theater, music, and art in the coming weeks…| The Pittsburgh Tatler
Getty Villa Stages Rock-Fueled Oedipus Satire Under the Stars The Getty Villa Museum will bring the myth of Oedipus to...| WestsideToday
SUNDAY SUPPLEMENT: Born in South Croydon in 1888, actor and playwright Miles Malleson’s work drew plaudits from Olivier, Thorndike and Gielgud. DAVID MORGAN recalls the life, career and campa…| Inside Croydon
Simon Parkes, who bought Brixton Academy for £1 in 1982, recalls how he turned a struggling venue into a world-class live gig space.| Big Issue
Godmersham Park, Kent. In case you thought – after the second of two reviews and at least two discussion posts – that I had said all I needed to say about Jane Austen’s 1814 novel Mansfield P…| Calmgrove Books
A face made of pieces stitched together, giving the message that brokenness isn’t beyond repair. Another with a knife conveying stabbing headaches, the impairment of an eye while in Afghanist…| On Art and Aesthetics
Unless you’ve been living under a rock, you will have heard about the groundbreaking and multi-award winning musical HAMILTON. Created by Lin-Manuel Miranda, HAMILTON is a sung-and-rapped biographical musical that tells a revolutionary story of passion, unstoppable ambition, and the birth of the nation the United States of America. HAMILTON follows the rise of Founding […] Read more... The post 6 reasons why you should take your tweens and teens to see HAMILTON appeared first on Adventur...| Adventure, baby!
The Benefits of Speech and Drama Class for UK Home Educated Teens What’s so great about online speech and drama ... Read more The post Speech and Drama Class for Home Education Families appeared first on Arise Home Education.| Arise Home Education
Santa Cruz Shakespeare finishes their summer season tonight (they still have Glass Menagerie in the fall and Christmas Carol in December), so I’ll post my reviews now. Let’s start with the “Fringe” productions: two staged readings and the intern’s play. The first staged reading was Vanya and Sonia and Masha and Spike by Christopher Durang. They selected the play to commemorate […]| Gas station without pumps
by Jonathan Curry-Machado I first met Rodney backstage at the South London Theatre, as I was just embarking on my Continue readingPlays of War and Peace The post Plays of War and Peace first appeared on Amaurea Press.| Amaurea Press
With spring almost upon us, Amaurea has some new books on the way, spanning memoir, fiction and theatre. From award-winning Continue readingAmaurea news The post Amaurea news first appeared on Amaurea Press.| Amaurea Press
Strong Wind – Smock Alley Theatre – Review Dates: 6 – 31 May 2025 @ 8pm, 31 May @ 3pm – Boys’ School Jon Olav Fosse is a Norwegian author, translator, and playwright who won the N…| No More Workhorse
Tina: The Tina Turner Musical – Bord Gáis Energy Theatre – Review by Brian Merriman Presented in association with Tina Turner Dates: 27 May – 14 June 2025 Just two years ago this …| No More Workhorse
Scorched Earth – Dublin Dance Festival – Review On the Abbey Stage – Dates: 23 – 24 May 2025 Written, Directed and Choreographed by Luke Murphy Scorched Earth runs at the Ga…| No More Workhorse
Embers is a play that’s easy to describe but difficult to categorize. Adapted by Christopher Hampton from a novel by Hungarian writer Sandor Marai, the play depicts the reunion, after 41 years, of …| The Pittsburgh Tatler
Re:INCARNATION – Dublin Dance Festival – Review Dates: 20 May – 21 May – On the Abbey Stage Directed and Choreographed by Qudus Onikeku QDance Company are from Lagos, Nigeria, so…| No More Workhorse
Matthew Bourne’s Swan Lake – Bord Gais Energy Theatre – Review by Frank L. Dates: 20 – 24 May 2025 – Part of the Dublin Dance Festival It was over thirty years ago th…| No More Workhorse
Somnole – Dublin Dance Festival – Review by Frank L. Somnole – performed at the Project Arts Centre Somnole choreographed and performed by Boris Charmatz The stage is entirely emp…| No More Workhorse
Specky Clark – Dublin Dance Festival – Review Performed at the Abbey Theatre Find out more about Oona Doherty here. Specky Clark – Co-produced and presented by Dublin Dance Festiv…| No More Workhorse
Lovesong – Gate Theatre – Review LOVESONG by Abi Morgan Dates – 9th May to 15th June 2025 Photo: Patricio Cassinoni We meet a couple, Maggie and Billy, at two stages of their liv…| No More Workhorse
Source On Sunday 4 th May Vicky & I saw Berkeley Rep's production of a thought-provoking new play by Moisés Kaufman, Amanda Gronich, and ...| blog.dshr.org
It was the opening dance sequence—and the cover of the program—that threw me off. Elizabeth Bennet, headphones slung casually around her neck, slow-mo dancing to EDM (electronic dance music)? I balked. I’d expected a traditional| DownshiftingPRO
For an industry so obsessed with news, why are we so reluctant to cover new things?| One Man & His Blog
Meet the stellar ensemble led by director Christopher Windom in Dominique Morisseau's CONFEDERATES. The post Meet the Cast of Confederates appeared first on PlayMakers Repertory Company.| PlayMakers Repertory Company
In a time when headlines read like punchlines and we see the powerful punching down, Morisseau's "Confederates" is right on time–and comedy is all in the timing. The post If We Don’t Laugh, We’ll Cry appeared first on PlayMakers Repertory Company.| PlayMakers Repertory Company
Dramaturgy Fellow Lexi Silva shares her thoughts on Willy Loman and what we can learn from him. The post What I Learned from Willy Loman appeared first on PlayMakers Repertory Company.| PlayMakers Repertory Company
You have been requested and invited to come bargain with Uncanny Things. This is a world much like ours, with one exception. Those creatures in old stories and legends: the fey in the shadow of ancient trees, the hellkin lingering in bloody cellars, the bastions chanting at the edge of hearing: they are real. That […]| The Escape Roomer
Reader, let me get your first concern out of the way: even though basketball – and, particularly, basketball legend LeBron James – are important to its characters, you yourself really do not need t…| The Pittsburgh Tatler
Without donations, there may not be a 2025 SF Mime Troupe show for 2025. This is when we need them most.| The Thinking Man's Idiot (Charles Lewis III)
Interview with Breda McCann – Two Minutes – Civic Theatre Interview with Breda McCann, writer of Two Minutes, running at the Civic Studio, Tallaght, April 16th to 19th. Starring: Wayne …| No More Workhorse
The post PAF Connects at Project Arts Centre: Live Collision appeared first on Project Arts Centre.| Project Arts Centre
I’d like to invite everyone to see Cabrillo’s Spring play Fortinbras at the Black Box theater inside Crocker Theater on Cabrillo’s Aptos campus. The play by Lee Blessing is a very silly, very funny…| Gas station without pumps
This Spain-set dramedy by Andrew Bovell is compelling and wildly satisfying, despite the mixed performances throughout.| Eden Caceda
Cock – Smock Alley – Review 4 – 8 Mar 2025 @ 8pm Sat 8 @ 3pm – Boys’ School – Smock Alley Cock tells the story of John (Séan Mc Manus), a gay man who has found himself with …| No More Workhorse
No Romance: A Desperate Business – Bewley’s Cafe Theatre – Review February 24th – March 15, 2025 No Romance: A Desperate Business written by Nancy Harris The set is a funera…| No More Workhorse
King Lear – Gate Theatre – Review Photos by Ross Kavanagh Dates – 21st Feb until 27th April When King Lear (Conleth Hill) utters the immortal line ‘Nothing will come of noth…| No More Workhorse
MILK – Abbey Theatre – Review The Abbey Theatre presents a Khashabi Theatre / Palestine production MILK مِلْك Dates – 20 February – 1 March 2025 By Bashar Murkus and Khulood…| No More Workhorse
Did I Ever Tell Ya – Viking Theatre – Review by Frank L. Did I Ever Tell Ya – written by David Gilna Monday 17 February – Saturday 1 March 2025 20:00 David Gilna is back wit…| No More Workhorse
MANY MEs – Project Arts Centre – Review Date – 18th February Time – 7:30pm Space – The Space Upstairs – Duration – 40 minutes This is a solo piece by chore…| No More Workhorse
In which I interview on Bay Area theatre's most eclectic talents ahead of their hilarious drag show.| The Thinking Man's Idiot (Charles Lewis III)
The dated "classic" film comedy is re-imagined as a trans-epiphany musical that's as fun as it is flawed.| The Thinking Man's Idiot (Charles Lewis III)
This (belated) review of my final 2024 show is complicated celebration of Oakland Blackness.| The Thinking Man's Idiot (Charles Lewis III)
Two kids shows made SF theatre Christmas even more colorful and queer!| The Thinking Man's Idiot (Charles Lewis III)
In the shadow of a bad election, a pair of drag shows prove SF is still a queer safe space.| The Thinking Man's Idiot (Charles Lewis III)
