Luca Berkley (AKA Jack Lope, Jenn Deere, and Piper Pelligrini) critiques narratives surrounding white American ranching through performance.| Southwest Contemporary
Timestamp, by Emilee Lord and Karen Cecilia, is a part-theremin, part-dance exploration of womanhood, expectation, and time.| Cherwell
The DC Jazz Festival, DC JazzFest for short, has been a District-wide happening from the get-go. Musicians performed at 18 venues during the inaugural| The Georgetowner
Jasmina Tumbas, I am Jugoslovenka! Feminist performance politics during and after Yugoslav Socialism (Manchester: Manchester University Press, 2022), 344 pp. Reading the first chapter of Jasmina Tumbas’ publication I am Jugoslovenka! made me smile and think of my mother. The author cites Bojana Pejić talking about wearing original Levi’s jeans. My mother grew up in socialist—explicitly not communist—Poland, and moved to the Netherlands in the 1980s, when she was in her twenties. When...| ARTMargins
As Michelle Henning points out in her book Photography: The Unfettered Image (2018), “from its inception, photography was a means to set images free, to allow them to go traveling, to transfer, to be projected, translated, fragmented, reconstituted and reversed, to be reimagined and re-embodied.”(Michelle Henning, Photography: The Unfettered Image (New York: Routledge, 2018), p. xi.) How does this perspective contribute to understanding the medium beyond its treatment in art museums, whic...| ARTMargins