Maybe it’s because I’m writing this in 2020, both with the benefit of seeing the next iteration of Aglet and also against the backdrop of a particularly tumultuous year, but there is something prescient in the structured softness of Aglet Sans. This year has demanded more flexibility, more warmth, and more vulnerability than we as a society are comfortable with.| Typographica
For Study, Jesse Ragan transformed Rudolph Ruzicka’s 1968 hand-lettering into a typeface that “feels somehow calligraphic, metal, and digital all at the same time.”| Typographica