Thomas’ typefaces are a set of rigorously designed, extensive, and genuinely fresh explorations of a flamboyant genre, seriously playful or playfully serious depending on mood or message. The copy accompanying Type By’s web specimens for Gustella calls the eye-catching collection “a very specific cherry on the pie”, and that’s true. But there’s a lot of pie underneath the cherry as well.| Typographica
Although Pierre Haultin was a sixteenth-century Parisian punchcutter, the typeface bearing his name looks more like a seventeenth-century Dutch type than a sixteenth-century French one: sturdier, more angular, more compact.| Typographica