Glad you liked “The Dark Land”. I made the drawing a long time ago, and wrote the story so I could bring it in, with the addition of a cadaverous head and a swirl of vagueness.—C. L. Moore to H. P. Lovecraft, 30 Jan 1936, Letters to C. L. Moore and Others 108 We don’t … Continue reading “The Dark Land” (1936) by C. L. Moore→| Deep Cuts in a Lovecraftian Vein
Depending on the setting, this could be an ogre, an ape, or an ogre ape. (Or a half-giant, or a goliath, even a really brawny barbarian. Any big guy/gal, really.) It has a touch of James Young's barbarian, SaltyGoo's ogre and Skerples' brawler.| The Library of Attnam
And WT is publishing in July either the Smith story which Wright has entitled THE COLD GREY GOD, all about a lovely Venusian named Judai, or else a Jirel story we have been revising for months. He …| Deep Cuts in a Lovecraftian Vein
I’m so glad you liked Jirel and the BLACK GOD’S KISS. You know, I never can tell when a story’s good or not. It never fails to surprise me when people are complementary. Jirel was considerable fun, but I hadn’t considered the story is very good. Somehow it seems—along with the rest of my later … Continue reading “Black God’s Shadow” (1934) by C. L. Moore→| Deep Cuts in a Lovecraftian Vein
Une (autre) réussite ! Une version modifiée de cette critique est sortie dans le numéro 110 de Bifrost. Vous pouvez retrouver toutes mes recensions publiées dans le magazine sous ce tag. Huit mois …| Le culte d'Apophis
Swords Without Master er et sword-and-sorcery rollespil af Epidiah Ravachol. Det er i høj grad et narrativistisk rollespil, hvor det omdrejningspunktet for systemet er at afgøre scenetyper, der angiver hvem der har fortælleretten og hvad der overordnet skal foregå, og så hvilken tone en given scene skal fortælles i. | Lænestolsrollespil