Pubblichiamo un estratto dal libro Il massacro del Circeo. 29-30 settembre 1975, in uscita per Tab edizioni. Il libro propone un’indagine corale sul delitto ed è il primo titolo della nuova collana Il giorno prima, dedicata agli eventi che hanno segnato un “prima” e un “dopo” nella storia e nella coscienza collettiva. di Luca Marchetti […] L'articolo Il massacro del Circeo: Pasolini contro Calvino proviene da Minima et Moralia.| Minima et Moralia
Abstract: Laura Betti, l’emblematica attrice e cantante del secondo Novecento italiano, ha vissuto una vita caratterizzata da una forte interazione con Pier Paolo Pasolini. Parte importante della loro sinergia sono state le canzoni che il poeta aveva scritto apposta per lei in occasione del recital intitolato “Giro a vuoto”, che ha debuttato a Milano nel 1960: composizioni poetiche di altissima qualità in cui Pasolini ha voluto mettere in rilievo la voce e la presenza scenica magnetica...| Diacritica
[…] Agnès Varda: Would you please tell me your definitions of reality and fiction? Pier Paolo Pasolini: There’s no difference between reality and fiction, because cinema is reality expressing itself through itself. In reality, I can photograph a man walking down the street. He’s not aware that he’s being filmed, and this is reality. If I choose an actor to play that man, then there’s another reality, the actor’s reality. But it’s always reality, it’s never fiction. […] AV...| BLACKOUT ((poetry & politics))
Pier Paolo Pasolini Fragment to Death I come from you and go to you, A feeling born with the light, with the heat which aroused the first cry as joy I, baptized and known as Pier Paolo, at the beginning of a restless epic: I walked into the light of history but was always heroic under your dominion: my being you my innermost thought. In your path of light, in the horrific uncertainties of your flame, the course of the world, of history: and in your light it truly existed, it lost life so as t...| BLACKOUT ((poetry & politics))
In one of her most fascinating poems, AUTOPSY REPORT 2.11.75, from the volume The Wooden Overcoat (1982), Katerina Gogou revisits the day when the Italian poet Pier Paolo Pasolini (he was certainly more than an ally to her) was found murdered on the beach at Ostia. In the blind spot of a surveillance camera — a poet no one fears is no poet — Gogou traces with anatomical precision the horrific injuries that led to his agonizing death. “His face disfigured by the framework of the class h...| BLACKOUT ((poetry & politics))
Kelimeler aracılığıyla, iki farklı işlem gerçekleştirerek, bir “şiir” veya bir “masal” yapabilirim. Görüntüler aracılığıyla, en azından şu ana kadar, yalnızca sinema yapabilirim.…| Othon Cinema