Road music: the German auteur discusses his latest tale of hauntings and doublings, which follows a morose piano student who wanders into the life of an enigmatic woman| Film Comment
End of the road: new films by Kelly Reichardt, Kleber Mendonça Filho, Julia Ducournau, and Sergei Loznitsa explore the politics of time| Film Comment
Listen in: filmmakers Eduardo Williams, Brett Story, and Zoya Laktionova discuss the ethical and practical ways in which documentaries use sound, voice, and audio| Film Comment
Going express: the filmmaker discusses his contemporary reimagining of Kurosawa’s classic, working again with Denzel Washington, and what makes New York City such a rich setting and subject| Film Comment
Get a grip: Mission: Impossible – The Final Reckoning celebrates the tenacity and power of the human body struggling against technology| Film Comment
Political world: the Iranian auteur speaks about his Palme d‘Or–winning latest, a typically ingenious meditation on the lasting effects of state repression| Film Comment
Pressing on: standouts of the second week of the festival included Pedro Pinho’s I Only Rest in the Storm, Julia Ducournau’s Alpha, and Jafar Panahi’s It Was Just an Accident| Film Comment
Shelter from the storm: critics Justin Chang, Tim Grierson, and Alison Willmore wrap up the 2025 edition with Bi Gan’s Resurrection, Kelly Reichardt’s The Mastermind, and more| Film Comment
Family ties: Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia join to discuss Joachim Trier’s Sentimental Value, Carla Simón's Romería, and more| Film Comment
Running on empty: Ari Aster‘s Eddington, Christian Petzold‘s Mirrors No. 3, and Richard Linklater’s Nouvelle Vague fail to be more than mere reflections of their grander ambitions and inspirations| Film Comment
Rave on: the French-born Galician director discusses his latest, a trance-inducing techno vision quest set in Morocco’s Sahara Desert| Film Comment
Sail away: Kong Rithdee and Inney Prakash join to debate Lav Diaz’s Magellan, Jafar Panahi’s It Was Just an Accident, and more| Film Comment
Roll on: Miriam Bale, Robert Daniels, and Jessica Kiang drop a token and talk Highest 2 Lowest, Alpha, and My Father's Show, and more| Film Comment
Under cover: Kong Rithdee and Neta Alexander join to discuss Kleber Mendonça Filho's The Secret Agent, Christian Petzold's Mirrors No. 3, and Sebastián Lelio's The Wave| Film Comment
Reality bites: early festival selections like Enzo, Promised Sky, and Adam's Sake were rooted in straight-down-the-line realism| Film Comment
Drink deep: critics Mark Asch, Kong Rithdee, and Isabel Stevens join to swim through recent premieres Die My Love, The Chronology of Water, Nouvelle Vague, and Urchin| Film Comment
No holds barred: critics Mark Asch and Beatrice Loayza join to debate recent premieres Eddington, Sirât, and The Little Sister| Film Comment
Don’t let go: Isabel Stevens and Thomas Flew from Sight and Sound join to discuss Mission Impossible – The Final Reckoning, Two Prosecutors, and Left-Handed Girl| Film Comment
Key frames: the grandest of all film festivals may be a large-format photo of the cinematic planet, but it is not a map of the world| Film Comment
First impressions: critics Jonathan Romney and Guy Lodge join to kick off our festival coverage, discussing early selections Leave One Day, Enzo, and Sound of Falling| Film Comment
Ten years after heading to Cannes with Alexander Payne's ‘Nebraska,' Squibb is back with ‘Eleanor the Great’ from director Scarlett Johansson.| The Hollywood Reporter
After the slow-burn brilliance of 'The Climb,' Covino returns to Cannes with an uproarious open-marriage comedy co-starring Dakota Johnson, Adria Arjona and Kyle Marvin.| The Hollywood Reporter
