This is a sad book, a beautiful book. It’s about the death of a father – the death of the narrator’s father, the death also of Georgi Gospodinov’s father. (As so often in his work, Gospodinov is both participant and observer.) Death and the Gardener is enquiring about the human condition; it’s wise, it’s lyrical; […]| European Literature Network
Long before postmodern historical novels such as Italo Calvino’s "Invisible Cities" (1972), Umberto Eco’s "The Name of the Rose" (1980), Christa Wolf’s "Cassandra" (1983), and Salman Rushdie’s "The Enchantress of Florence" (2008) captivated readers with their imaginative, thoroughly researched, and carefully plotted recreation of the past, there was Vera Mutafchieva’s "The Case of Cem" (1967).| Reading in Translation