The DP Behind 'Sinners' Reveals How She Shot Remmick's Iconic Entrance | No Film School
How did she capture the powerful images that pull us all into the story?| No Film School
Cinematographers share the camera, lenses, and looks they used to make their 2025 features.| Galleries – IndieWire
How did she capture the powerful images that pull us all into the story?| No Film School
Denmark born, LA based DP Mads Fridolin Vejlby shares a naturalistic, empathy first approach on cinematography.| Y.M.Cinema Magazine
Unlock essential cinematography skills and create captivating films, answering the questions your movie poses.| FilmLocal
Discover the journey from first camera to Hollywood DP. Unlock your cinematic vision and elevate your filmmaking skills.| FilmLocal
Welcome back readers. Happy Nintendo Switch 2 week to those who celebrate? I got my thumb caught hard in the new joycon attachment mechanism within five minutes of opening the box. I did not get Ma…| Critical Distance
Welcome back readers. Happy Nintendo Switch 2 week to those who celebrate? I got my thumb caught hard in the new joycon attachment mechanism within five minutes of opening the box. I did not get Ma…| Critical Distance
Spotlight on SINNERS Cinematographer Autumn Durald Arkapaw With the highly anticipated release of SINNERS this month, acclaimed cinematographer and AFI Alum Autumn Durald Arkapaw (AFI Class of 2009), ASC, took| American Film Institute
Let's break down the amazing juke joint scene from 'Sinners.'| No Film School
Welcome back readers. Kaile beat me to the punch this afternoon with our monthly Patreon-exclusive newsletter. If you like what we do and can spare a fiver, you should subscribe! This Week in Video…| Critical Distance
You’ll never be able to view tennis the same way.| The Baylor Lariat - The official student news source
Day 24 – 3/5/21 “Frailty thy name is woman” (the opinions of Shakespeare do not represent those of the blogger) A bitty day, starting with our only day exteriors. Call time was 7am and it was a bank holiday, so that pedestrians and traffic were at a minimum on the street outside the theatre. We […]| Neil Oseman
Day 7 – 12/4/12 “Contracted as it were in one brow of woe” Not sure how to feel about today. On the one hand we got some great shots, including our first one on the Technocrane. On the other hand, we spectacularly failed to make the call sheet. Due to the workload on costume and […] The post “Hamlet”: Week 2 appeared first on Neil Oseman.| Neil Oseman
Day 25 14 months ago production began on the comedy feature Harvey Greenfield is Running Late. Most of the editing is done, and yesterday a reduced crew assembled to shoot one final scene and few odd shots to plug holes. The crew may have been reduced, but the cast was bigger than it’s ever been. Jonnie and […]| Neil Oseman
Almost every film today has visual effects of some kind or another, be it compositing a phone screen for a couple of shots or adding a fleet of attacking spaceships and their laser blasts destroying distant CG buildings. Many smaller productions cannot afford to have a VFX supervisor on set, however, so a conscientious DP […] The post 5 Things a DP Can Do to Help the VFX Department appeared first on Neil Oseman.| Neil Oseman
