Vance’s form of far-right politics is so ominous because it responds in a primal, perverted way to something actual. We are caught under a heap of wreckage, an accumulation of social and historical trauma that we are largely without means of getting out of. Millions are dead, and millions more permanently sick, from a pandemic that everyone now pretends didn’t happen, and even more vigorously pretends is not still happening.| n+1
When she’s in a state of panic, my mother bargains with the Lord and imposes fioretti on herself: no eating sweets, no going to the movies, no reading magazines, no listening to Rai Radio 3, for weeks, months, years. These days she can’t go to the hairdresser’s or watch TV. Sometimes the combination is no Radio 3 and no sweets. Or no coffee and no new shoes. She mixes them, matches them — it depends.| n+1
In the late ’90s there was this trend toward blob cars that was probably seen as very ugly at the time, but now represents an infinitely more beautiful path lost to the auto industry by the late ’00s. Now all we have are cars that are soft and hard at the same time, like the swole AF backend coders we all apparently want to be.| n+1
I would see all her bright colors and form a very hazy idea of the whole. She seemed to be repainting the same picture over and over again, and every time I walked by my impression grew more distinct. I also began to feel uncontrollably jealous, half convinced her painting was one I had conceived of long ago and simply hadn’t had a chance to paint yet.| n+1
One way of reading the AKP’s progress is as a two-step process of privatization. In its first two terms, the AKP government privatized a large portion of Turkey’s state assets; since then, it has moved to make the state itself the private property of one man and his friends. The first phase — standard neoliberalism — won the AKP applause from the Western establishment, which is now aghast at the second phase, which looks more like Putin than Thatcher.| n+1
Female silence animates many of Hogg’s dramas, which follow women whose problems manifest as failures of expression: women with suppressed desires, thwarted ambitions, or a reluctance (sometimes approaching inability) to say what they mean. Hogg’s own biography featured a long period of what might be thought of as creative silence: after graduating from film school in the mid-’80s, she spent nearly two decades directing music videos and television episodes.| n+1