2025 was a big year for the Matrix Fitness initiative, Project COURAGE. And there are only plans to keep growing| Campus Rec Magazine
Israel has pursued a policy that limits any form of indigenous economic and institutional development that could contribute to structural reform and capital accumulation, particularly in the industrial domain.| Salvage
Southwest Contemporary: OBSESSION foregrounds artistic fixations, revealing loops, patterns, and intensities that define Southwest culture.| Southwest Contemporary
The real and tangible feeling that Israel is defeatable comes with an endless stream of possible regret for choices made under the stress of an existing and seemingly all powerful order.| Salvage
From major rebuilds to innovative renovations, these four universities are rebuilding campus recreation with student well-being, accessibility and sustainability in| Campus Rec Magazine
How these campus rec centers are integrating AI into day-to-day operations and behind the scenes to support students and enhance| Campus Rec Magazine
The Final Exam is your chance to get to know leaders in the industry. For the September/October 2025 issue, Campus Rec| Campus Rec Magazine
Michael Heizer’s City prompts considerations of obsession, scale, and legacy through the lens of land, labor, and the weight of inherited ambition. The post Empires of Dirt: Michael Heizer’s <i>City</i> appeared first on Southwest Contemporary.| Southwest Contemporary
Three New Mexico–based artists—c marquez, Susan York, and Judy Tuwaletstiwa—reflect on their relationship with the material that has defined their practice. The post Material Monogamy: Three Creators Find Their <i>Prima Materia</i> appeared first on Southwest Contemporary.| Southwest Contemporary
Artists Stephanie Leitch, Angela Ellsworth, and Nancy Rivera use materially obsessive processes to reflect on the mythos of Utah. The post The Medium is their Message: Compulsion and Identity in Zion appeared first on Southwest Contemporary.| Southwest Contemporary
Working in her Phoenix studio, artist Gloria Martinez-Granados creates works countering the nation’s anti-immigrant obsession. The post Gloria Martinez-Granados: Borderless Creative appeared first on Southwest Contemporary.| Southwest Contemporary
After years of building maze-like monuments to queer love, Texas-based painter Eli Ruhala is at a crossroads his practice. The post Eli Ruhala: Post Obsession appeared first on Southwest Contemporary.| Southwest Contemporary
Lisa Frank, headquartered in Tucson, Arizona, offers up a rainbow-bedazzled mirror to the emptiness of the American dream. The post All Vibes Must Die: Industry and Virality in the Lisa Frank Warehouse appeared first on Southwest Contemporary.| Southwest Contemporary
The republication of Robert Adams’s The New West evokes reflections on what it means to intimately know the subject of renowned photographs. The post A Newer West: Ruminations on Robert Adams’s Front Range Imagery appeared first on Southwest Contemporary.| Southwest Contemporary
Texas-based artist Erika Jaeggli on her first descent into a cave—and the all-consuming passion it unearthed. The post “We’re Inside a Body!”: An Interview with Artist and Caver Erika Jaeggli appeared first on Southwest Contemporary.| Southwest Contemporary
For Southwest Contemporary's Obsession issue, we asked arts leaders in our community about their current art obsessions. The post SWC Crowdsource: What is Your Current Art OBSESSION? appeared first on Southwest Contemporary.| Southwest Contemporary
Beneath the glitz of Park City's skiing and film scenes, underground culture abounds—including a cowboy speakeasy, hidden Banksy murals, and subterranean scuba diving. The post Field Report: Park City appeared first on Southwest Contemporary.| Southwest Contemporary
Phoebe Shuman-Goodier’s photography marks her sculptural collaborations with her father, and a shared obsession with transforming a junkyard into art. The post Phoebe Shuman-Goodier Transfigures Trash into Tender Monuments of Care and Possibility appeared first on Southwest Contemporary.| Southwest Contemporary
In Southwest Contemporary Vol. 12: OBSESSION, curator and guest juror Rafael Fonseca finds a surprising scope and range of artistic obsessions. The post Guest Juror Raphael Fonseca on OBSESSION appeared first on Southwest Contemporary.| Southwest Contemporary
For Cande Aguilar, the hand-painted signs of the Rio Grande Valley define contemporary painting more than museums do. The post Obsession: Cande Aguilar appeared first on Southwest Contemporary.| Southwest Contemporary
Multimedia artist Luca Berkley (AKA Jack Lope, Jenn Deere, and Piper Pelligrini) critiques narratives surrounding white American ranching through cheeky yet reverent performance, online as well as on stage. The post Obsession: Luca Berkley appeared first on Southwest Contemporary.| Southwest Contemporary
Artist Taylor Engel’s varied and chaotic artworks envelop viewers in a shared experience of all-consuming obsession, codependency, and repetition. The post Obsession: Taylor Engel appeared first on Southwest Contemporary.| Southwest Contemporary
Albuquerque-based artist Justine Kablack devoutly repeats images of the road, embracing its contradiction as both limitless and constrained. The post Obsession: Justine Kablack appeared first on Southwest Contemporary.| Southwest Contemporary
Albuquerque-based artist jesse lovell’s practice has expanded over the years to include P.I. work, living somewhere between caricature and sousveillance. The post Obsession: jesse lovell appeared first on Southwest Contemporary.| Southwest Contemporary
Santa Fe–based artist Hilary Nelson plays between image and object, with their sculptural experiments centering around an obsession with the back jack The post Obsession: Hilary Nelson appeared first on Southwest Contemporary.| Southwest Contemporary
By dismantling and depicting dead machines, artist Karl Orozco imagines new life cycles for our throwaway technologies. The post Obsession: Karl Orozco appeared first on Southwest Contemporary.| Southwest Contemporary
Salt Lake City–based artist Carol Sogard obsessively collects and catalogues the remains of a world in crisis, wherein action, if not optimism, may be an obligation. The post Obsession: Carol Sogard appeared first on Southwest Contemporary.| Southwest Contemporary
In video performance and charged sculptures, Philip Gabriel Steverson channels rage and pain at the loss of his mother through a devotion to healing. The post Obsession: Philip Gabriel Steverson appeared first on Southwest Contemporary.| Southwest Contemporary
Experience New Mexico's living history with this immersive, two-day cultural tour bundle. Explore Acoma Pueblo's Sky City and UNESCO World Heritage Site Chaco Canyon with expert local guides.| Southwest Contemporary
The morning sun is already high and hot as we enter the grounds of San Giovanni Park, the former asylum in Italy’s north-eastern city Trieste, through Europe’s largest rose garden – 3000 varieties in mid to full bloom, hot-pinks and blood-reds, lemons, peaches and creams. ‘A multitude in place of economic and moral servitude’, our […] The post Trieste: Where Mad Minds Can Fly appeared first on Salvage.| Salvage
I used to think that a collision indicated there was something wrong in the road layout. I thought whenever someone got injured on the road, it would provoke an investigation. I imagined people from the council or the police would rush in with clipboards and resolve whatever it was in the road that had caused the collision. The post How Accidental is an Accident? appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […] The post Papers Please: Poignancy in the Age of State Surveillance appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […] The post Policing the Wastelands appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […] The post Seductions of the Nation-State: On Anti-Trans Feminism and Other Sexual Nationalisms appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […] The post The Cult of the Cold Plunge appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […] The post The Extractive Turn: The Question of State Form in Sri Lanka’s Conjuncture appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […] The post In and Against the Dream Factory appeared first on Salvage.| Salvage
This piece appears in print in Salvage 14: Shrouded in Darkness. Issue 14 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with the […]| Salvage
The Palestinian Marxist Ghassan Kanafani, in his famous study of the Great Arab Revolt of 1936–9, and its defeat, theorised the regional and international character of the Palestinian struggle through the alliance of enemies it faced. Reflecting on the Palestinian uprising under the British Mandate, he wrote ‘between 1936 and 1939, the Palestinian revolutionary movement suffered a severe setback at the hands of three separate enemies’. This tripartite enemy constituted and remained ‘t...| Salvage
Symbolically, affectively, and materially, the car is a ‘vehicle’ for the far right, channelling apolitical investments in the status quo into reactionary forms of anti-ecological politics. In this conjuncture, the car is a symbol of individual liberty, the nuclear family, and the ‘energy-secure’ nation. In a populist key, the car is ‘the people’. The post The Great Driving Right Show appeared first on Salvage.| Salvage
This piece appears in print in Salvage 13: Give Dust a Tongue. Issue 13 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with […] The post Russian Capitalism Today: A Case of ‘Primacy of Politics’? appeared first on Salvage.| Salvage
This piece appears in print in Salvage 13: Give Dust a Tongue. Issue 13 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with […] The post (Re)Organising the Private Sector: A Revitalised Labour Movement? appeared first on Salvage.| Salvage
This piece appears in print in Salvage 13: Give Dust a Tongue. Issue 13 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with […] The post Literally Nothing: Sick in the Heart of Working-Class Life appeared first on Salvage.| Salvage
This piece appears in print in Salvage 13: Give Dust a Tongue. Issue 13 is available to buy individually here. Our poetry, fiction and art remains exclusive to the print edition, and our subscribers have exclusive access to some online content, including all audio content. New subscriptions can be taken out here, and start with […] The post Freedom on a Damaged Planet appeared first on Salvage.| Salvage
It is no small offence to our piscine friends to say that the punditry and political class has the collective memory of a solitary goldfish in a tiny bowl that it mistakes for the wide ocean.| Salvage
Historically speaking, Zionist feminism shares key characteristics of colonial feminisms of the nineteenth century.| Salvage
Conservatives counterpose distant, alienated social forces against British ones. The way in which people can regain control over their lives – on this argument – is through authentically British institutions. This sense of Britishness can then easily be turned inwards: although the British judiciary is British ‘in name’ they act on behalf of these unaccountable forces, and so in substance are not ‘British’.| Salvage