From the Schwartz residence's George Stacey-inspired wallpapers to the Silver Dollar Diner's Kodachrome palette, we reveal how JC Molina and Karuna Karmarkar's Lady in the Lake sets authentically rebuild 1966 Baltimore.| Art Departmental
Production designer Ryan Warren Smith and I talk about the making of Lean On Pete, from Ryan’s first meeting with director Andrew Haighhow he mapped out Charley’s emotional journey through color coding, to a defining location one| Classiq
Production Designer Helen Jarvis sits down with us to discuss designing feudal Japan in Vancouver for FX’s Shōgun.| Art Departmental
Discover how Wicked production designer Nathan Crowley crafted breathtaking real-world sets like Shiz and Emerald City, blending artistry and innovation to bring the film to life. The post ‘Wicked’ Production Designer Nathan Crowley on Building Immersive Sets, From Shiz to Emerald City appeared first on Art Departmental.| Art Departmental
The production design of Dick Van Dyke: 98 Years of Magic underwent a significant evolution during production and landed on the other side with a 2024 Emmy nomination for Outstanding Achievement in Production Design for a Variety Special. The post A Look at the Production Design of ‘Dick Van Dyke: 98 Years of Magic’ appeared first on Art Departmental.| Art Departmental
Death and Other Details Production Designer James Philpott sits down to discuss designing a modern art deco ocean liner for the TV series.| Art Departmental
A production designer on how to design for production| THIS IS REDIFFUSION from Transdiffusion
The 96th Academy Awards highlighted the resilience of the film industry after a tumultuous year, celebrating outstanding achievements in production design, cinematography, costume design, and visual effects. The post The 2024 Best Production Design Oscar | Complete List of Oscar Nominees & Winners appeared first on Art Departmental.| Art Departmental
In our interview, The Holdovers production designer, Ryan Warren Smith, takes us behind the scene to see how the movie was made and walks us through the instinctive choreography of collaboration. We also talk about the transportive recreation of the 70s and settling the characters, and us the viewers, in that world, about the movie theater that he grew up with, and The Holdovers scene that we both absolutely love.| Classiq