A short glance at the East/East dialogues within the timeline of Romanian art of the 1970s and 1980s allows us to identify existing (in)formal cross-border exchanges which foregrounded geopolitical alliances and sporadically connected Romanian artists with like-minded spirits. In the artistic context of the 1970s and 1980s, the state institutions were responsible for foreign cultural agreements and the organization of research trips and touring exhibitions, as well as establishing cultural co...
