The still-life photographs of Paulette Tavormina are anything but still; on the contrary, they are full of life. Recalling sumptuous details of seventeenth-century Old Master painters such as Francisco de Zurbarán, Adriaen Coorte, Juan Sánchez Cotán, and Giovanna Garzoni, Tavormina’s painterly compositions serve as intensely personal interpretations of timeless,
