There will undoubtedly already be a film student somewhere who is comparing Drive-Away Dolls and The Tragedy of Macbeth to retrospectively construct the authorial signatures of Joel Coen and Ethan Coen when working separately and together. Where Macbeth was an austere, abstract, beautifully acted, symbolically loaded prestige picture, reminiscent in some ways of work like … Continue reading FILM: Drive-Away Dolls (dir. Ethan Coen)→
