The implicit setting of PALACERUN. The palace is richly-appointed, labyrinthine, and endless. Some would say“infinite”, but it is surely partly bounded as it has relatively easy access to the outside. The format is from Jack Shear, although I’m sure I haven’t done it justice. Reception of the Grand Condé at Versailles by Jean-Léon Gérôme, via Wikimedia Commons Aesthetics Whole rooms of one color or material, tables set for hundreds, imperial staircases, gilt-framed family portrait...
