It's interesting because there are moments in this film I find physically painful to watch. There’s a moment when Hoffman’s character is putting together this massive production in a warehouse the size of the city and it becomes so introspective that I can hardly bear to look at it. I think I chose Synecdoche for a piece of criticism like this because I knew it wouldn’t mean I’d have to watch the entire film again, and I don’t know what that says about me or about the work, to be si...
