I think the other thing which people don't get, although Alan Moore did in his introduction to The Psalm Killer (1997), is whether I'm a novelist at all, because my whole approach is not that literary, it's cinematic. The way the writing is, it's cinematic, and essentially, it describes what you see. I wrote Robinson because I couldn't make films anymore, and I thought, “Well, I'm not a novelist. I don't want to win the Booker Prize. I don't really care about the whole literary scene.” I ...
