As a post-68 phenomenon of the Yugoslav cultural scene, the Bosch+Bosch group was established by young artists from the multicultural Vojvodina in 1969. In addition to generational cohesion, the group’s identity was defined by the conceptual and experimental agenda of the New Art Practice and the hybridity of languages and cultures. Although most of them belonged to the Hungarian-speaking minority culture, their intellectual horizon was defined by the majority Yugoslav culture, which was op...
