Infibulation’s Werewolf of Sodom arrives with all the theatrical perversity and sonic brutality one might expect from something self-described as “extremely sus and problematic” electronics. In an era where extreme music often struggles between genuine transgression and calculated provocation, this Austin-based outfit manages to occupy that uncomfortable middle ground where authenticity meets deliberate obscenity—and somehow makes […] The post Infibulation: ‘Werewolf of Sodom’ ...
