by Judy Getts from the June 1987 issue of Computer Language Chuck Duff is the kind of man you’d expect to run into early in the morning in a university coffee shop, styrofoam cup in hand, talking Hegel with a student. You’d expect to see him in an art gallery rambling between the neoclassicists and linear chromatists, keen-eyed and at home, or even face-to-face in a folk-jazz cafe if you motioned the waitress aside and asked who is the James Beard behind the watercress crepes.
