For years, the American stage has doubled as a political pulpit, where leftist dogma jostles for space with whatever art remains. The industry has moved decisively toward progressive narratives — not just in niche productions, but in some of Broadway’s most celebrated hits. Hamilton, for instance, continues to dominate the box office with its race-conscious […] The post How the Left Stole the American Stage appeared first on TomKlingenstein.com.
