This chapter examines the sounds, sights, and sensibilities of international law during the Cold War. By adopting a sensory lens, this chapter disrupts the common understanding of international law during the Cold War as languishing in a period of hiatus and stagnation. This chapter proceeds through three experiential case studies rooted in a museum, in street protests, and in science fiction literature respectively. This chapter thereby touches upon the episteme (from where do we know what w...
