When cinematographer Larkin Seiple finished the Apple+ feature Wolfs, he was set on taking a well-deserved break. It was going to take a special project to coax him back behind the camera before he’d decompressed, especially for a project outside his home base in L.A. Then the script for Weapons arrived the day after wrap. “I read the script in like an hour and I was like, ‘Shit. It’s really good. I don’t know if I’ll ever get the chance to shoot something like this again,’” s...
