At this point, most folks in the film and video world know a thing or two about what makes a good camera a good camera. You have your usual mix of specs and features to consider, as well as your own personal preferences for looks, colors, and operability. Yet, while the aesthetics of a camera’s physical design might seem unimportant, you’d be surprised how many novices and pros alike make purchases based on what a camera looks like. Or, more specifically, how they think they will look usi...
