Flannery O’Connor, though often labeled a Southern Gothic writer, preferred to place herself in the genre of “Christian Realism.” For her, the grotesque nature of her stories’ endings reflects not grace itself but the culmination of repeated rejections of grace. In her essays and letters, O’Connor argues that grace should be depicted “the way it comes—through nature,” equating the spiritual with the natural world. In her stories’ farm landscapes, O’Connor presents an ever-...
